Two brilliant,multi-layered stories from the winner of the Kenzaburo Oe Prize: the best contemporary Japanese writing
'Nothing short of superb... This book gives me hope for the future of Japanese literature' Kenzaburo Oe, winner of the Nobel Prize in Literature
In two stunning tales by novelist-playwright Toshiki Okada, characters stagger and thrash, bound by a generational hunger for human connection. On the eve of the Iraq War a couple find unexpected deliverance - fleeting and anonymous - at a love hotel. And wheels spin as a woman aches for something more from her husband, even as she knows she has enough.
Snapshots of moments high and low, these stories introduce us to an unsettlingly honest voice in contemporary Japanese fiction.
Rezensionen / Stimmen
"Hyperrealistic. . . Okada captures the ennui that has paralyzed a generation." - New York Times Book Review
"So richly layered and strangely beguiling that we are left craving more. . . Samuel Malissa's translation has fizz and verve, and each slangy meditation or exchange rings true. . . The stories are at their best - and their most baffling - when Okada topples our expectations and proceeds by way of surprise steps and wrong turns." - Minneapolis Star Tribune
"Nothing short of superb... This book gives me hope for the future of Japanese literature... there is power in the flow of this writer's prose." - Kenzaburo Oe, winner of the Nobel Prize in Literature
Sprache
Verlagsort
Maße
Höhe: 196 mm
Breite: 127 mm
Dicke: 22 mm
Gewicht
ISBN-13
978-1-80533-143-8 (9781805331438)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Toshiki Okada is a hugely admired playwright, director and novelist. Born in Yokohama in 1973, he formed the theatre company "chelfitsch" in 1997. Since then he has written and directed all of the company's productions, practising a distinctive methodology for creating plays, and has come to be known for his use of hyper-colloquial Japanese and unique choreography. His play Five Days in March, on which the first story in The End of the Moment We Had is based, won the prestigious Kishida Drama Award. His works have been translated into many languages around the world.
