A revisionist history of minimalism's transformative rise, through the voices of the musicians who created it.
When composers like Philip Glass and Steve Reich began creating hypnotically repetitive music in the 1960s, it upended the world of American composition. But minimalism was more than a classical phenomenon-minimalism changed everything. Its static harmonies and groovy pulses swept through the broader avant-garde landscape, informing the work of Yoko Ono and Brian Eno, John and Alice Coltrane, Pauline Oliveros and Julius Eastman, and many others.
On Minimalism moves from the style's beginnings in psychedelic counterculture through its present-day influences on ambient jazz, doom metal, and electronic music. The editors look beyond the major figures to highlight crucial and diverse voices-especially women, people of color, and LGBTQ+ musicians-that have shaped the genre. Featuring more than a hundred rare historical sources, On Minimalism curates this history anew, documenting one of the most important musical movements of our time.
Rezensionen / Stimmen
"A gust of fresh air blowing across a stage. . . . As a compilation of source texts, On Minimalism is unparalleled, containing prescient, critical writings from many commentators and participants. . . . Organized in 21 accessible chunks (not only the expected ones, but also others covering spirituality, multimedia and altered states), each headed by an introduction that synthesizes the coming information, this is a breeze to navigate and, for all its scholarly chops, relaxed in its learning." * The Wire * "An array of voices and perspectives kept from being bewildering by the editors' clear and sensible organization. . . . . On Minimalism, with its contradictory array of opinions, assertions and recollections shows us how musicians, critics, the listening public and the larger cultural machine experienced, thought about and grappled with one of the more unlikely success stories in the American avant-garde." * Spectrum Culture * "A glorious compendium of loosely grouped reviews, album sleeve and liner notes, articles and interviews. Its remit is wide and inclusive and all the better for that." * International Times * "With passion and some style, the collected writings of On Minimalism invite the side-stepping of origin stories and the dismantling of a minimalist cannon. Instead, it invites a deeper and wider immersion in a radical music that continues to divide and entrance in equal measure." * All About Jazz * "Through the sources carefully collected and organized in On Minimalism, O'Brien and Robin present a rich tapestry of the musical movement, which can be appreciated by novices, students, instructors, and experts alike and will serve as mandatory reading for minimalist scholars moving forward as we continue to explore the stories that minimalism can tell." * Notes: the Quarterly Journal of the Music Library Association * "A special book in which we get a wonderful insight into the history of this movement. . . . Beautiful and instructive." * Nieuwe Noten * "You might come to this book for Reich, Glass and Riley, but it's definitely worth staying for O'Brien and Robin's inspiring accounts of musicians, many not achieving anything like mainstream success, who delight in keeping the minimalist instinct pure. . . . Everything you could want to know about minimalism-from its pre-history to its pioneering go-getters piecing together a music that had yet to solidify into a genre-is surveyed and assessed." * Prospect Magazine *
Auflage
Sprache
Verlagsort
Zielgruppe
Produkt-Hinweis
Illustrationen
26 b-w illustrations and 1 table
Maße
Höhe: 227 mm
Breite: 152 mm
Dicke: 28 mm
Gewicht
ISBN-13
978-0-520-38208-4 (9780520382084)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Kerry O'Brien is a writer and musicologist who teaches at Cornish College of the Arts in Seattle. She has published work on minimalism and experimentalism in Rethinking Reich, Tempo, the Chicago Reader, and the New York Times.
William Robin is Associate Professor of Musicology at the University of Maryland School of Music, author of Industry: Bang on a Can and New Music in the Marketplace, and a contributor to the New York Times.
Contents
Foreword by Joan La Barbara
Introduction
PART ONE
1. Improvisation and Experimentation
2. Dream Music
3. Loops and Process
4. Altered States
5. Gurus and Teachers
6. Cultural Fusion
7. Across the Arts
8. Ensembles
PART TWO
9. 1976
10. The New Downtown
11. Instruments and Environments
12. Ambient and New Age
13. Canons
14. Backlash
15. Politics, Identity, and Expression
16. Postminimalists
17. Spiritual Minimalism
18. Popular Culture
PART THREE
19. Histories
20. Silences
21. Futures
Acknowledgments
Listening Guide
Notes
Bibliography
Index