Notation, Transcription, visual Representation

Contents:

Articles
Marin Marian-Balasa: Who Actually Needs Transcription? Notes on zhe Modern Rise of aethod and the Postmodern Fall of an Ideology
Rytis Ambrazevicius: The Perception and Transcription of the Scale Reconsidered: Several Lithuanian Cases
Triinu Ojamaa: Throat Rasping: Problems of Visualisation
Regine Allgayer-Kaufmann: From the Innocent to the Exploring Eye: Transcription on the Defensive
Gerd Grupe: Notating African Music: Issues and Concepts
Wim van der Meer: Visions of Hindustani Music
Nicolas Magriel: Visualising North Indian Music: Looking at Khyal Songs
Frank Kouvenhoven: Transcribing "e;Time"e; in Chinese Non-measured Songs
Book Reviews (Tina K. Ramnarine, ed.)
Daniel Avorgbedor: Charry, Eric. Mande Music: Traditional and Modern Music of the Maninka and Mandinka of Western Africasi>
Tong Soon Lee: Matusky, Patricia, and Tan Sooi Beng. The Music of Malaysia: The Classical, Folk and Syncretic Traditions
Jonathan McIntosh: Stige, Brynjulf. Culture-Centered Music Therapy
Katherine Butler Brown: Ruckert, George E. Music in North India: Experiencing Music, Expressing Culture - Viswanathan, T., and Allen, Matthew Harp. Music in South India: Experiencing Music, Expressing Culture
Recording Reviews (Gregory F. Barz, ed.)
Geoffrey Whittall: Masters of the Balafon: (1) Friend, Well Come!; (2) The Joy of Youth; (3) The Wood and the Calabash. Produced by Hugo Zemp. Selenium Films
About the Contributors