Scandinavian popular novels and films have flourished in the last thirty years. In Crime and Fantasy in Scandinavia, Andrew Nestingen argues that the growth and visibility of popular culture have been at the heart of the development of heterogeneous "publics" in Scandinavia, in opposition to the homogenizing influence of the post-World War II welfare state. Novels and films have mobilized readers and viewers, serving as a preeminent site for debates over individualism, collectivity, national homogeneity, gender, and transnational relations.
Crime and Fantasy in Scandinavia provides insight into the changing nature of civil society in Scandinavia through the lens of popular culture. Nestingen develops his argument through the examination of genres where the central theme is individual transgression of societal norms: crime films and novels, melodramas, and fantasy fiction. Among the internationally known writers and filmmakers discussed are Henning Mankell, Aki Kaurismaeki, Lukas Moodysson, and Lars von Trier.
Rezensionen / Stimmen
"The reader is very satisfied to have been taken on a journey over a vast northern landscape that is no longer quite the same as it used to be, but which becomes more comprehensible after reading this convincing introduction to post-war Scandinavian culture."
- Peter Stenberg (Scandinavian-Canadian Studies)
Reihe
Sprache
Verlagsort
Zielgruppe
Illustrationen
Maße
Höhe: 229 mm
Breite: 152 mm
Gewicht
ISBN-13
978-0-295-98803-0 (9780295988030)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Andrew Nestingen is assistant professor of Scandinavian studies at the University of Washington.
Acknowledgments
Introduction: Popular and Social Transformation in Scandinavian Fictions
1. The New Popular Culture: Popular Fictions and Their Publics
2. Medium Concept: Scandinavian Genre and Art Film Hybrids
3. The Melodrama of Demand: Cultural Politics of the Scandinavian Melodrama
4. Johanna Sinisalo's Monsters: Popular Culture and Heterogeneous Publics
5. Autobiography and the Police: Life Writing and Its Publics
6. The Burned-Out Policeman: Henning Mankell's Transnational Police Procedural
Epilogue
Notes
Filmography
Bibliography
Index