This book posits an interconnection between the ways in which contemporary television serials cue cognitive operations, solicit emotional responses, and elicit aesthetic appreciation.
The chapters explore a number of questions including: How do the particularities of form and style in contemporary serial television engage us cognitively, emotionally, and aesthetically? How do they foster cognitive and emotional effects such as feeling suspense, anticipation, surprise, satisfaction, and disappointment? Why and how do we value some serials while disliking others? What is it about the particularities of serial television form and style, in conjunction with our common cognitive, emotional, and aesthetic capacities, that accounts for serial television's cognitive, socio-political, and aesthetic value and its current ubiquity in popular culture?
This book will appeal to postgraduates and scholars working in television studies as well as film studies, cognitive media theory, media psychology, and the philosophy of art.
Reihe
Sprache
Verlagsort
Verlagsgruppe
Zielgruppe
Für höhere Schule und Studium
Illustrationen
26 s/w Abbildungen, 19 s/w Photographien bzw. Rasterbilder, 7 s/w Zeichnungen
7 Line drawings, black and white; 19 Halftones, black and white; 26 Illustrations, black and white
Maße
Höhe: 240 mm
Breite: 161 mm
Dicke: 23 mm
Gewicht
ISBN-13
978-1-032-03715-8 (9781032037158)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Ted Nannicelli is Senior Lecturer in Film and Television Studies at The University of Queensland. He is editor of Projections: The Journal for Movies and Mind, co-editor of Cognitive Media Theory (2014), and author of Appreciating the Art of Television: A Philosophical Perspective.
Hector J. Perez is Associate Professor of Audiovisual Narrative at the Universitat Politecnica de Valencia. He has published widely in scientific journals such as Projections, Culture & Psychology, Aisthesis, and L'Atalante. He is editor of SERIES, International Journal of TV Serial Narratives.
Herausgeber*in
The University of Queensland, Australia
Universitat Politecnica de Valencia, Spain
1. Introduction: Cognition, Emotion, and Aesthetics in Contemporary Serial Television Part 1. The Nature of Contemporary Televisual Seriality 2. Television's Temporality: Seriality and Temporal Prolongation 3. Multi-plot Structure in Television Serials 4. "Oh My God, They Didn't Kill Kenny": Seriality and Viewer Engagement in Contemporary Animated Television 5. Seriality and Expressiveness in Mad Men Part 2. Audiences 6. From Shots to Storyworlds: The Cognitive Processes Supporting the Comprehension of Serialized Television 7. Beliefs, Desires, and Emotions: A Theory of Emotions and Some Implications for the Understanding of Viewer Reactions to TV Serials Part 3. Poetics 8. Reaching through Time: On Seriality, Temporality, and Twofoldness 9. Five Theses on the Difficulty of Ending Quality TV Series 10. Pop Music in Television Serials: Priming, Authorial Commentary, and Musical Memory 11. Twin Peaks and the Performative Poetics of Complex Television 12. Parallelism and Complex Storytelling in Film and TV Part 4. Value: Aesthetic and Beyond 13. Audiovisual Atmospheres, Moods, and Metaphoric Spaces: Aesthetically Rich Spaces in Complex TV Series 14. Repetition, Familiarity, and Aesthetic Pleasure: Formulaic Generic Television Series 15. Ethics and Bad Protagonists in Serial Television Drama 16. A Sense of Moment: Appreciating Television Serials from Aesthetic and Cognitive Perspectives
