Enter the surreal and enchanting world of Haruki Murakami.
Toru Okada's cat has disappeared.
His wife is growing more distant every day.
Then there are the increasingly explicit telephone calls he has recently been receiving.
As this compelling story unfolds, the tidy suburban realities of Okada's vague and blameless life, spent cooking, reading, listening to jazz and opera and drinking beer at the kitchen table, are turned inside out. He embarks on a bizarre journey, guided by a succession of characters, each with a tale to tell.
'Mesmerising, surreal, this really is the work of a true original' The Times
VINTAGE JAPANESE CLASSICS series - five masterpieces of Japanese fiction in gorgeous new gift editions.
Rezensionen / Stimmen
Deeply philosophical and teasingly perplexing, it is impossible to put down * Daily Telegraph * Visionary...a bold and generous book * New York Times * Critics have variously likened him to Raymond Carver, Raymond Chandler, Arthur C. Clarke, Don DeLillo, Philip K. Dick, Bret Easton Ellis and Thomas Pynchon - a roster so ill assorted as to suggest Murakami is in fact an original * New York Times * Murakami writes of contemporary Japan, urban alienation and journey's of self-discovery, and in this book he combines recollections of the war with metaphysics, dreams and hallucinations into a powerful and impressionistic work * Independent * Mesmerising, surreal, this really is the work of a true original * The Times *
Reihe
Sprache
Verlagsort
Verlagsgruppe
Maße
Höhe: 190 mm
Breite: 132 mm
Dicke: 48 mm
Gewicht
ISBN-13
978-1-78487-541-1 (9781784875411)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
In 1978, Haruki Murakami was 29 and running a jazz bar in downtown Tokyo. One April day, the impulse to write a novel came to him suddenly while watching a baseball game. That first novel, Hear the Wind Sing, won a new writers' award and was published the following year. More followed, including A Wild Sheep Chase and Hard-Boiled Wonderland and the End of the World, but it was Norwegian Wood, published in 1987, which turned Murakami from a writer into a phenomenon. His books became bestsellers, were translated into many languages, including English, and the door was thrown wide open to Murakami's unique and addictive fictional universe.
Murakami writes with admirable discipline, producing ten pages a day, after which he runs ten kilometres (he began long-distance running in 1982 and has participated in numerous marathons and races), works on translations, and then reads, listens to records and cooks. His passions colour his non-fiction output, from What I Talk About When I Talk About Running to Absolutely On Music, and they also seep into his novels and short stories, providing quotidian moments in his otherwise freewheeling flights of imaginative inquiry. In works such as The Wind-Up Bird Chronicle, 1Q84 and Men Without Women, his distinctive blend of the mysterious and the everyday, of melancholy and humour, continues to enchant readers, ensuring Murakami's place as one of the world's most acclaimed and well-loved writers.
