The study of amateur filmmaking and media history is a rapidly-growing specialist field, and this ground-breaking book is the first to address the subject in the context of British women's amateur practice. Using an interdisciplinary framework that draws upon social and visual anthropology, imperial and postcolonial studies, and British and Commonwealth history, the book explores how women used the evolving technologies of the moving image to write visual narratives about their lives and times. Locating women's recreational visual practice within a century of profound societal, technological and ideological change, British Women Amateur Filmmakers discloses how women negotiated aspects of their changing lifestyles, attitudes and opportunities through first-person visual narratives about themselves and the world around them.
Rezensionen / Stimmen
The strength of the project is the valuable groundwork it lays for this new field of scholarship [women filmmakers study], so that we can continue to tackle questions about amateur filmmaking and women's agency... In researching and narrating these disregarded histories, the book shows how new forms of archival research can lead to the widening of the canon and a broader understanding of the practices and aesthetics of female filmmakers. -- Charlotte Hallahan * LSE Review of Books * British Women Amateur Filmmakers makes an original and incisive contribution to the fields ofBritish film history, women's film and media history, and twentieth-century British cultural history,and would be of particular interest to scholars and students working in these fields. It explores awealth of the 'countless women's stories about every day and other experiences [...] captured onamateur footage that have remained largely neglected and forgotten in Britain's public archivesand private collections' (10). The authors' meticulous analysis of these stories calls for filmarchives' continuing work in recovering and widening access to them, and for the careful attentionof scholars of film and visual culture to such seemingly mundane or ephemeral films as expressionsof women's changing lives and worlds. -- Hollie Price * The Journal of the British Records Association * Packed with keenly researched historical detail and splendidly illustrated, 'British Women Amateur Filmmakers' brings to light the fascinating and hitherto hidden history of women's contribution to amateur film practice. -- Annette Kuhn, Emeritus Professor in Film Studies, Queen Mary University of London
Sprache
Verlagsort
Zielgruppe
Produkt-Hinweis
Broschur/Paperback
Klebebindung
Illustrationen
15 black and white illustrations
Maße
Höhe: 229 mm
Breite: 154 mm
Dicke: 14 mm
Gewicht
ISBN-13
978-1-4744-7433-7 (9781474474337)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Annamaria Motrescu-Mayes is a visiting Lecturer in digital and new media anthropology at the Department of Social Anthropology, University of Cambridge. Heather Norris Nicholson holds honorary research positions at the University of Huddersfield and also at Manchester Metropolitan University.
Autor*in
Visiting LecturerUniversity of Cambridge
Honorary Research fellowUniversity of Huddersfield and Manchester Metropolitan University
List of Illustrations
List of Sources
Acknowledgement
Foreword
1. Amateur women filmmakers as producers of cultural meaning
2. Webs of production and practice
3. Resisting colonial gendering while domesticating the Empire
4. Cameras not handbags: the essential accessory
5. Through women's lens: imperial and postcolonial class and gender hierarchies
6. Teachers: users of cine-cameras
7. British women's media narratives of gender and collective memory
8. Reimagining boundaries: amateur women's animations
Afterword
Notes on the Contributors
Selected Bibliography
Index