Does the cultural capital compensate for the cultural discount? Why do German students prefer US-American TV series?, by Daniela Schluetz and Beate Schneider
Awake, or the multiplication of the realities Contemporary Television Series: Narrative Structures and Audience Perception, by Mathieu Pierre
"Three hundred channels and nothing's on": Metaleptic Genre-Mixing in Supernatural, by Michael Fuchs
Appreciating Nietzsche in Episodic Drama: The Highbrow Intertextuality and Middlebrow Reception of Criminal Minds, by Michael Wayne
The Seed of an Idea and its Cognitive Field: Minding the Gap of Alternate Reality in Flash Forward and Fringe, by Inbar Kaminsky
Breaking Narrative: Narrative Complexity in Contemporary Television, by Oliver Kroener
The Walking Dead and the Truly Monstrous. on Television, by Atene Mendelyte
Television Cosmo-Mythologies: The Return to Mythological Naratives in Television Fiction, from The Prisoner to Lost, by Raquel Crisóstomo Gálvez and Enric Ros Zofío
Breaking Bad, a Character-Based Formula, by Rodrigo Mesonero
Representing Occupations in Media and Audience Perceptions of TV Series, by Valentina Marinescu
Homeland: War on Terror Revisited, by Marc Perelló-Sobrepere
Understanding Health in Grey's Anatomy Television Series, by Bianca Mitu
Fiction Television in Brazil: New Perspectives, by Lilian Fontes Moreira
TV Series Bolji zivot (1987-1991): View from the Future, by Natasa Simeunovic Bajic
The X-Factor of Singing Competitions TV Series, by Maria Dicieanu
TV Drama as a Narrative form: Scenes from a Gendered and a Sacralized Cultural Sphere in Turkish Society, by Nuran E. Isik
The hero's journey, by "María Teresa Nicolás Gavilán, Lourdes López Gutiérrez,Carmen Silvia Sánchez Arana, Tania Alejandra Benítez Sánchez"
About the contributors
