The organ is one of the oldest instruments in Western music, and its sound has inspired many of the greatest composers from the past half a millennium from Bach through to Messiaen. The full possibilities of the instrument, however, have often been overlooked. Orchestration textbooks tend to mention the organ only in passing, with little practical advice for the composer to latch onto. Many organ books will explain technical jargon and how the organ is designed, but do not discuss what should actually be written in the score. This book, on the other hand, offers a practical guide for composers on how to write idiomatically for the instrument with the aim of helping them exploit the instrument's full timbral and technical potential. It provides in depth advice not only on notation but also the full resources of the modern organ, including dedicated chapters on registration, writing for manuals and pedals, and using the organ in ensembles, among others. Multiple musical examples are quoted from across the history of organ repertoire, with a particular focus on contemporary composers and music. There is advice tailored to non-classical musicians, such as guidance on virtual instruments. The online companion website to this book provides video demonstrations, chapter summaries, sample organ stop-lists and other useful further resources. In summary, the goal of this book is to show not just what organ music was, or what it is, but what it can be.
Rezensionen / Stimmen
This concise but remarkably comprehensive book is essential reading for music creators. It fills a significant gap. The organ, despite its great history and exciting contemporary presence, has hitherto hardly figured at all in orchestration guides. Composers will find ideas, encouragement and inspiration within these pages. * Judith Weir CBE, Master of the King's Music * This is essential reading for any lover of the organ as a reminder of how historical and important the instrument is. For anyone unfamiliar with the organ, it will be a fascinating journey of discovery, wonderfully written and informative. It could have been so easily dry and predictable, but it is the antithesis of that. What a superb piece of work. * David Hill MBE, President, Royal College of Organists * I recommend this guide unreservedly to anyone who is interested in composing for the organ. I have no doubt that it will become an invaluable resource. * Imogen Morgan, Cathedral Music * This accessible, engaging text aims to remedy this injustice through this brilliant introduction to his wonderful instrument. This book is a treasure trove of useful hints and tips for exploring. Moreover, the supplementary material attached to this book is entertaining and supports and expands upon the main text well. * Kymani Armstrong-Williams, Physics Book Reviews *
Sprache
Verlagsort
Zielgruppe
Produkt-Hinweis
Broschur/Paperback
Klebebindung
Maße
Höhe: 282 mm
Breite: 213 mm
Dicke: 15 mm
Gewicht
ISBN-13
978-0-19-764529-1 (9780197645291)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
James Mitchell is the current Sub-Organist at Gloucester Cathedral. He graduated from Girton College, Cambridge with a Double First, subsequently completing an MPhil in Musicology at Emmanuel College, Cambridge. He is also an award-winning composer; his music has been published by the RSCM and has been performed at various UK cathedrals and churches, including at the 2021 London Festival of Contemporary Church Music.
Autor*in
Sub-OrganistSub-Organist, Gloucester Cathedral
Introduction
Chapter 1: Introduction to the organ
Overview
Organ Building Trends
Historic Organs
Common Mistakes
Extended Techniques
Chapter 2: Registration
Overview
Main Stop Categories
Principals
Flutes
Strings
Reeds
Other Categories
Foundations
Mixtures
Mutations
Miscellaneous Stops
Couplers
Registration Aids
General Pistons
Divisional Pistons
Crescendo Pedal
Chapter 3: The Manuals
Overview
Idiomatic Writing
Non-Chordal Techniques
Chordal Techniques
Playing on Multiple Manuals
Chapter 4: The Pedals
Overview
Idiomatic Writing
Double/Multi-Pedalling
The Pedals in Context
Chapter 5: Other Types of Organ
Overview
Chamber Organ
Harmonium
Theatre Organ
Hammond Organ
Chapter 6: The Organ in Ensemble
Overview
Organ and Choir
Organ and Orchestra
Concertos
Organ and Chamber Ensembles
Organ and Electronics