This research monograph explores the rapidly expanding field of networked music making and the ways in which musicians of different cultures improvise together online. It draws on extensive research to uncover the creative and cognitive approaches that geographically dispersed musicians develop to interact in displaced tele-improvisatory collaboration. It presents a multimodal analysis of three tele-improvisatory performances that examine how cross-cultural musician's express and perceive intentionality in these interactions, as well as their experiences of distributed agency and tele-presence.
Tele-Improvisation: I
ntercultural Interaction in the Online Global Music Jam Session will provide essential reading for musician's, postgraduate students, researchers and educators, working in the areas of telematic performance, musicology, music cognition, intercultural communication, distance collaboration and learning, digital humanities, Computer Supported Cooperative Work and HCI.
Reihe
Auflage
Sprache
Verlagsort
Verlagsgruppe
Springer International Publishing
Zielgruppe
Illustrationen
9
23 farbige Abbildungen, 9 s/w Abbildungen
XXIII, 214 p. 32 illus., 23 illus. in color.
Maße
Höhe: 241 mm
Breite: 160 mm
Dicke: 19 mm
Gewicht
ISBN-13
978-3-319-71038-9 (9783319710389)
DOI
10.1007/978-3-319-71039-6
Schweitzer Klassifikation
Part 1.- Intercultural Tele-Improvisation: Inside the Online Global jam Session.- Telematics, Art and the Evolution of Networked Music Performance.- Intercultural Tele-Improvisation: Multi-idiomatic Approaches.- Part II.- Intercultural Tele-Improvisatory Performance in Action.- Towards a Theory of Tele-Improvisatory Collaboration.- Part III.- Liminal Worlds: Presence and Performer Agency in Tele-Collaborative.- What's that Sound? Culture, Significance and Interpretation of Electronic Sound and Noise.- Conclusion:Intercultural Tele--Improvisatory Interaction: Applications and Contexts.- Appendix