Acknowledgements
Notes on Contributors
Foreword, by Volker Schloendorff
Introduction, by Philippe Met
Transversal Studies
1. Malle Before Malle, by Guillaume Soulez
2. The Art of Silence: From Documentary to Fiction, by Caroline Eades
3. No Comment: Direct Cinema in Humain, trop humain and Place de la Republique, by Derek Schilling
4. Louis Malle's Nonfiction: Tradition, Rebellion and Authorial Voice, by Alan Williams
5. Louis Malle's 1960s 'Star' Films, by Sue Harris
6. Experimentation and Automation in Zazie dans le metro and Black Moon, by Ian Fleishman
7. Louis Malle and 'His' Writers (Drieu La Rochelle, Nimier, Modiano) , by Michel Ciment
8. A Gendered Geography of Death: Louis Malle's Orphic Voyage, by T. Jefferson Kline
9. The Figure of the Mother in May Fools, Au revoir les enfants and Murmur of the Heart, by Justine Malle
10. Jazz as Counterpoint in Elevator to the Gallows, Murmur of the Heart and Pretty Baby, by Jean-Louis Pautrot
Monographic Essays
11. The Fire Within: Touching, by Elisabeth Cardonne-Arlyck
12. Le Voleur: (Self-)Portrait of the Filmmaker as a Thief, by Philippe Met
13. Absorbtion and Reflectivity in Phantom India, by Ludovic Cortade
14. Fog of War: Lacombe Lucien and Its Afterlives, by Steven Ungar
15. Memory, Friendship and History in Au revoir les enfants, by Sandy Flitterman-Lewis
16. Atlantic City: When Sound Meets Utopia, by Francesca Cinelli
17. Between Conversation and Conversion: My Dinner with Andre, by Tom Conley
18. Vanya on 42nd Street: Inventing a Space of Creation, by Sebastien Rongier
Interview
Truth and Poetry: An Interview with John Guare, by Philippe Met
Varia (previously unpublished material)
Notes for a Lecture on the Queen Elizabeth 2, by Louis Malle
'The Loner': Treatment suggested by H. James' What Maisie Knew, by Louis Malle (with introduction by Philippe Met)
Afterword, by Wes Anderson
Filmography
Index