The director and cowriter of some of the world's most iconic films-including Double Indemnity, Sunset Blvd., Some Like It Hot, and The Apartment-Billy Wilder earned acclaim as American cinema's greatest social satirist. Though an influential fixture in Hollywood, Wilder always saw himself as an outsider. His worldview was shaped by his background in the Austro-Hungarian Empire and work as a journalist in Berlin during Hitler's rise to power, and his perspective as a Jewish refugee from Nazism lent his films a sense of the peril that could engulf any society.
In this critical study, Joseph McBride offers new ways to understand Wilder's work, stretching from his days as a reporter and screenwriter in Europe to his distinguished as well as forgotten films as a Hollywood writer and his celebrated work as a writer-director. In contrast to the widespread view of Wilder as a hardened cynic, McBride reveals him to be a disappointed romantic. Wilder's experiences as an exile led him to mask his sensitivity beneath a veneer of wisecracking that made him a celebrated caustic wit. Amid the satirical barbs and exposure of social hypocrisies, Wilder's films are marked by intense compassion and a profound understanding of the human condition.
Mixing biographical insight with in-depth analysis of films from throughout Wilder's career as a screenwriter and director of comedy and drama, and drawing on McBride's interviews with the director and his collaborators, this book casts new light on the full range of Wilder's rich, complex, and distinctive vision.
Rezensionen / Stimmen
A searching new study by the film historian Joseph McBride. -- Andrew O'Hagan * The New York Review of Books * A remarkable biographical and critical treatment. -- Carl Rollyson * San Francisco Chronicle * A trenchant reappraisal of Wilder's half-century-long career. -- Noah Isenberg * The Nation * [A] brilliant exegesis of Wilder's life and work . . . [McBride's] approach works well, illuminating Wilder's themes and obsessions across the entire span of a lifetime, and therefore across almost the entire twentieth century. -- A. S. Hamrah * Bookforum * Easily the most insightful, lively, and thought-provoking book on film I've come across this year; no one is better than McBride when it comes to exploring and clarifying the complex intersection between cultural, historical, and psychological forces that yields an artist's work, and his volume on Wilder is as good as anything he's ever written - which means it's as good as anything any film critic has ever written. -- Jim Hemphill * Filmmaker Magazine * Urgent and essential. * Cineaste * Joseph McBride-penned biography on the legendary Billy Wilder. Need any more words be said? -- Joshua Brunsting * CriterionCast * What we really appreciate is the organized approach and his entertaining prose, not a given in serious film studies. Billy Wilder comes alive as a remarkable man... Of all of Joseph McBride's film books, I think this is the one I've enjoyed the most . . . it's a serious contender for film book of 2021. -- Glenn Erickson * CineSavant * A comprehensive, invaluable critical study of one of the most admired and enduring filmmaker-satirists of the post-World War II era . . . Billy Wilder: Dancing on the Edge shares the complexity and humanity of its subject and his films. It is highly recommended. -- David Walsh * World Socialist Web Site * This book, like Wilder's films, excised Wilder's phantoms of the past and informed us of the versatility of his International filmography. * RealWeegieMidget Reviews * Joseph McBride is one of the best film critics and historians. His Billy Wilder is a crowning achievement. He casts considerable new light on Wilder's early life in Vienna and Berlin and reevaluates his artistic status, including his great later work. The cliche of Wilder as cynic and misanthrope is not to McBride's taste. Instead, he reveals the complexity of the man and the coherence of his eclectic oeuvre. -- Michel Ciment, editor of <i>Positif</i> Only Joseph McBride could have given us Billy Wilder in such fullness, as he's done previously with Lubitsch, Ford, and other masters. The breadth of research is staggering, yet it is always placed at the service of McBride's free ruminative style, unbound by dutiful chronological study-instead, we have a sensibility, and a conversation. By placing the production histories and legacies of collaboration into the widest possible historical frame, McBride reanimates Wilder's life and art, returning us to the masterpieces to see them with fresh eyes, and hungry to discover the films we've missed. -- Jonathan Lethem, author of <i>The Ecstasy of Influence: Nonfictions, Etc.</i> With his walk-on-the-dark-side comedies and refusal to sentimentalize, Wilder's reputation has only grown with time, and this magisterial critical study does full justice to his complex talent. McBride draws stunning connections between the life and the art, and his discussion of Wilder's treatment of women is especially fresh and persuasive. Both massive and entertaining, this is a must-read for Wilder fans. -- Molly Haskell, film critic and author A superb study of Billy Wilder and an ideal companion to McBride's recent How Did Lubitsch Do It? This book is rich with information about the Viennese/Weimar culture that helped shape Wilder and wonderfully attentive to his artistry. It's the best critical account of a great filmmaker, showing exactly how he did it. -- James Naremore, author of <i>More Than Night: Film Noir in Its Contexts</i> The most complete and profound study of Billy Wilder to date, one in which the work and the life illuminate each other, and two worlds that seemed separate are joined and complemented with unsuspecting coherence. A book that brings us closer to Wilder, humanizing and explaining him like no other. -- Fernando Trueba, director of <i>Belle Epoque</i> Unquestionably the book of the year. * Damn Fool Idealistic Crusader YouTube channel * Engaging . . . McBride makes a convincing case that for all his wisecracks and moxie, Wilder was ultimately laughing to keep from crying. -- Matt Hanson * American Purpose * Joseph McBride has delivered the ultimate critical evaluation of Billy Wilder's career as a journalist, screenwriter and film director. -- Gillian Kelly * Historical Journal of Film, Radio and Television * McBride is an impressive film scholar who writes with enthusiasm and sensitivity. * London Grip *
Reihe
Sprache
Verlagsort
Produkt-Hinweis
Illustrationen
Maße
Höhe: 241 mm
Breite: 164 mm
Dicke: 48 mm
Gewicht
ISBN-13
978-0-231-20146-9 (9780231201469)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Joseph McBride is a film historian and professor in the School of Cinema at San Francisco State University. His many books include the critical study How Did Lubitsch Do It? (Columbia, 2018) as well as acclaimed biographies of Frank Capra, John Ford, and Steven Spielberg and three books on Orson Welles.
The Phantoms of the Past
1. Auslaendisch
2. "A Keen Observer"
3. "Film, That's No Profession for Adults"
"Write Some Good Ones"
4. "I Was Not in the Right Country"
5. Brackettandwilder . . . and Lubitsch
"Isn't It Romantic?"
6. Dancing on the Edge
7. "Not a Funnyman but a Moralist"
8. "I Am No Longer Afraid"
9. "Tap-Dancing on the Grave of Hollywood"
Filmography
Notes on Sources
Acknowledgments and Influences
Index
