Written with busy music majors in mind, The Piano Proficiency Exam Review Book provides an easy-to-understand guide to the Piano Proficiency Exam. In eight review sections, authors and Peabody Institute alumni Lucy Mauro and Scott Beard provide an invaluable cache of tips, exercises, and practice exams. The sections address all aspects of piano performance for the non-piano music major: seating, arm, and hand positions; scales and arpeggios; cadences; vocal warmups; harmonization/transposition; score reading; and solo literature. While studying the book, students can expect to ask themselves, "Am I at the proper distance from the piano?" and, "Are my wrists level with the white keys?" among other gentle reminders that encourage mindfulness and positivity at the piano bench. Whether adapted for a school's exam requirements, private lessons, music therapy sessions, or general music classes, lessons and exercises in The Piano Proficiency Exam Review Book will make time spent at the piano an enjoyable experience.
Sprache
Verlagsort
Zielgruppe
Für höhere Schule und Studium
Produkt-Hinweis
Broschur/Paperback
Klebebindung
Illustrationen
Maße
Höhe: 274 mm
Breite: 216 mm
Dicke: 13 mm
Gewicht
ISBN-13
978-0-19-093393-7 (9780190933937)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Pianist Lucy Mauro is Associate Professor at West Virginia University. Her critically acclaimed recordings for Delos have received a 2018 ICMA nomination, a 2017 GRAMMY nomination, a 2013 NAXOS Critics' Choice, and a 2011 Recording of the Year by MusicWeb International.
Scott Beard, pianist and Provost at Shepherd University, was named 2006 West Virginia Music Teacher of the Year. His students have won prizes in regional, national and international competitions. Concerts as a soloist, and chamber musician have taken him throughout the US, Europe and South America.
Autor*in
Associate ProfessorAssociate Professor, West Virginia University
ProvostProvost, Shepherd University
Preface
I. Review I: Position at the Piano
II. Review II: Scales and Arpeggios
III. Review III: Cadences and Pedaling
IV. Review IV: Vocal Warm-up Exercises
V. Review V: Harmonization and Transposition
VI. Review VI: Sight Reading
VII. Review VII: Improvisation
VIII. Review VIII: Score Reading
IX. Review IX: Solo Repertoire
X. Review X: Practice Exams
Appendix I: Supplemental Scales, Chords and Arpeggios
Appendix II: Diagram of the Piano
Appendix III: Selected Composer Biographies
Glossary