This volume honors and extends the contributions of educator and scholar Dr. Michael J. Budds to the field of musicology, particularly the study of American music. As the longtime editor of two book series for the College Music Society, Budds nurtured a wide range of scholarship in American music and had a lasting impact on the field. This book brings together scholars who worked with Budds as a colleague, editor, or mentor to carry on his legacy of passionate engagement with America's rich and varied musical heritage. Ranging through jazz, gospel, Americana, and film music to American classical, and addressing music's social contexts and analytical structure, the research gathered here attests to the diversity of the mosaic that is American music and the numerous scholarly approaches that have been taken to the subject.
Reihe
Sprache
Verlagsort
Verlagsgruppe
Zielgruppe
Für höhere Schule und Studium
Für Beruf und Forschung
Academic and Postgraduate
Illustrationen
86 s/w Abbildungen, 86 s/w Photographien bzw. Rasterbilder, 5 s/w Tabellen
5 Tables, black and white; 86 Halftones, black and white; 86 Illustrations, black and white
Maße
Höhe: 260 mm
Breite: 183 mm
Dicke: 26 mm
Gewicht
ISBN-13
978-1-032-23102-0 (9781032231020)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Judith A. Mabary is Associate Professor of Musicology in the School of Music at the University of Missouri (Columbia).
Part I: The Performance of Black America
1 Spheres, Progressives, and Slavery: The Long-Lingering Effect of Music and Culture Politics in the Nineteenth Century
Petra Meyer-Frazier 2 Some Thoughts on the Role of Patronage in the History of Jazz
Jeremy Scott Brown 3 The Cox Trio: A Study in Black Show Business
Gene Anderson 4 Jelly's "Jungle Music": Jelly Roll Morton, Duke Ellington, and Jazz Aesthetics
Lance D. Morrison 5 The Pedagogical Legacies of Three Black Gospel Pioneers: Magnolia Lewis-Butts, Sallie Martin, and Roberta Martin
Kay Norton 6 Beyond Category: Duke Ellington as American Piano Original
Matthew J. Cooper
Part II: Collaborations in Song
7 Hanns Eisler's Hollywooder Liederbuch: Or What an Austro-German Emigre Did in Tinseltown During World War II
James Parsons 8 A Ballad for Our Times: The Siegmeister-Hughes Connection
Linda L. Banister and J. Quentin Kuyper 9 Songs of "Little Dixie": The Shape-Note Hymn Arrangements of Virgil Thomson
David Rayl 10 Traversing Musical Worlds through Image and Sound: Americana on Thomas Hart Benton's Saturday Night at Tom Benton's (Decca Records, 1942) and the Album's Connection to Kansas City, Missouri
Annett C. Richter
Part III: Critiquing the Past
11 Defense of Dwight Bill F. Faucett 12 The Merry Widow: Freedom and Feminism in the Widowhood of Mrs. H.H.A. Beach
Morgan Smith Owen
Part IV: The Analytical Perspective
13 Leitmotifs in Samuel Barber's Antony and Cleopatra
Wayne C. Wentzel 14 The Left Hand Always Knows What the Right Hand is Doing
Neil Minturn 15 A Study in Non-Hierarchical Coherence: Jerry Tabor's lemon; birch
Thomas DeLio 16 Parody and Crumb's Voices from the Heartland, or Double Voices in Crumb's American Songbook VII
Peter Lea
