"Shared Intelligence," companion catalog to the exhibition of the same name, explores the stimulating and productive relationship between painting and photography in American art. The essays in this beautifully illustrated book describe how this dynamic developed, beginning in the nineteenth century and continuing to the twenty-first - from Thomas Eakins to the Stieglitz circle and Georgia O'Keeffe to contemporary art. This book shows that while the initial proponents of photography were struggling to secure its place among the fine arts, photography's inherent expressiveness was leading painters to use the camera in their work. And as cameras and photographs became part of American culture, photographic seeing - how a photograph freezes, flattens, enlarges, and crops its subject - began to affect artists' visual representations. This gorgeous volume, which also includes interviews with artists Robert Bechtle, Barkley Hendricks, and Sherrie Levine, documents the complex ways in which painting and photography have influenced one another - not to undermine each's originality, but to celebrate the deep, continuing connections between them.
Rezensionen / Stimmen
"This fascinating look at the intersections and overlaps of painting and photography will be enjoyed by aficionados of both mediums." -- Ashley M. Biggers New Mexico Magazine "Well-documented and very informative." -- P. C. Bunnell Choice "This heavily illustrated volume ... is recommended for large institutions whose holdings emphasize modern and contemporary painting." Arlis/Na Reviews
Auflage
Sprache
Verlagsort
Zielgruppe
Produkt-Hinweis
Illustrationen
70 color and 150 b-w, all scattered
Maße
Höhe: 267 mm
Breite: 216 mm
Dicke: 18 mm
Gewicht
ISBN-13
978-0-520-26906-4 (9780520269064)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Barbara Buhler Lynes, Curator of the Georgia O'Keeffe Museum and Emily Fisher Landau Director of the Museum Research Center, is the author of many other publications, including Georgia O'Keeffe Catalogue Raisonne. Jonathan Weinberg is the author of several books, including Male Desire: The Homoerotic in American Art and Fantastic Tales: The Photography of Nan Goldin.
Director's Foreword Preface Introduction: Making It Real Jonathan Weinberg Composite Images in a Hybrid Medium by Thomas Eakins and His Contemporaries Michael Leja Calling the Shots: Negotiating Photographic Authority in the Paintings of Frederic Remington and Elbridge Ayer Burbank Melissa Wolfe Embodied Intelligence in the Stieglitz Circle Kathleen Pyne Georgia O'Keeffe and Photography: A Refined Regard Barbara Buhler Lynes Henry Koerner, Honore Sharrer, and the Subversion of Reality: "Magic Realism" and the Photograph Robert Cozzolino Something Old, Something New Michael Lobel Ghosts of Ghosts: On the Uses of Photography in Contemporary Painting Suzanne Hudson The Devil's Bargain: An Interview with Robert Bechtle After Sherrie Levine: An Interview with the Artist by Jeanne Siegel The Mechanical Sketchbook: An Interview with Barkley Hendricks Exhibition Checklist Contributors Index