A consideration of how modern revolutions have employed tropes of classical antiquity.
Despite its Latin etymology, "revolution" in its modern understanding arguably did not exist in antiquity, and revolution as we know it today is considered by many theorists to be a term born in modernity. While they certainly had times of momentous political upheaval, the Greeks and Romans tended to understand such events as part of a narrative of political continuity rather than novelty or rupture. Nevertheless, modern revolutions have repeatedly appropriated tropes of classical discourse, such as freedom, tyranny, tragedy, and fraternity.
With this book, Miriam Leonard offers a conceptual history of revolution, unraveling modernity's yearning for the new and questioning why ancient concepts continue to play such an important role in political uprisings. Leonard looks at examples of appeals to antiquity during the French and Haitian Revolutions, in anticolonial struggles, and feminist and queer movements and considers works of theorists such as Karl Marx, Hannah Arendt, and Sigmund Freud that foreground an engagement with antiquity.
Rezensionen / Stimmen
"Leonard is a wonderful guide to the thinking that grounds the violent and transformative politics of revolution, and, above all, its obsession with antiquity. Her incisive, revelatory and engaging account brilliantly analyses how an image of the past feeds the heady thrill and self-deceptive failures at the heart of modern desires to change the world." -- Simon Goldhill, University of Cambridge "What is the role of the past in the narration of modern revolt? If moderns yearn for the new, why do we turn to the ancients for inspiration? With characteristic flair, Miriam Leonard traces the twinned development since the eighteenth century of the idea of revolution and the discipline of classics. Leonard maps revolution's literary history via the tropes of time, genre, and fraternity, and she thinks deeply about how theory is shaped by the images, arguments, and metaphors of revolution that also drive popular ideas about change. Brilliant, lucid, and witty, this book is a must-read." -- Bonnie Honig, Brown University "A revolutionary intervention in both critical theory and intellectual history, this book powerfully argues that revolution, the marker of modernity, cannot be thought of without antiquity. Offering surprising readings of Arendt, Derrida, Freud, Hegel, and Marx, among others, as well as Greek tragedy and Jacques-Louis David's art, Leonard demonstrates that revolution is the site of temporal, discursive, and symbolic fissures opened up by modernity's continuing return to the ancient and movement away from it. Just when socio-political counterimaginaries are needed more than ever, Leonard's genealogy helps us understand the complexities of a concept that we should never take for granted." -- Mario Telo, University of California, Berkeley
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Sprache
Verlagsort
Verlagsgruppe
The University of Chicago Press
Zielgruppe
Illustrationen
Maße
Höhe: 216 mm
Breite: 140 mm
Gewicht
ISBN-13
978-0-226-84305-6 (9780226843056)
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Schweitzer Klassifikation
Miriam Leonard is professor of Greek literature and its reception at University College London. She is the author of Athens in Paris, How to Read Ancient Philosophy, Socrates and the Jews, and Tragic Modernities. She is the editor of Derrida and Antiquity and coeditor of Tragedy and the Idea of Modernity (with Joshua Billings) and Laughing with Medusa: Classical Myth and Feminist Thought (with Vanda Zajko).
List of Illustrations
Introduction
Time
Genre
Fraternity
Epilogue
Acknowledgments
Notes
Works Cited
Index
