Origins of Cuban Music and Dance: Changuei is the first in-depth study of changuei, a style of music and dance in Guantanamo, Cuba. Changuei is analogous to blues in the United States and is a crucible of Cuban Creole culture. Benjamin Lapidus describes changuei and its relationship to the roots of son, Cuba's national genre and the style of music that contributed to the development of salsa, in Eastern Cuba. He also highlights the connections between Afro-Haitian music and Cuban popular music through changuei, connections with the Caribbean that have been largely overlooked in the past. After an initial historical discussion about the region of Guantanamo and the inter-connectedness of its various musical styles with a focus on changuei, Lapidus discusses the technical aspects of the genre as practiced within the region and beyond. He considers the socio-historical importance of its lyrics, presenting numerous musical transcriptions that explain how the music is structured, as well as providing background stories to songs. In a chapter unique to this book and a first in Cuban musicology and ethnography, Lapidus describes years of festivals and musical competitions to show how local musical identity takes shape, particularly when encountering national narratives of music history. The volume concludes with a comparison between changuei and son, as well as a bibliography, discography, and videography.
Rezensionen / Stimmen
Lapidus synthesizes his ethnographic and historical research to present an indispensable text on one of Cuba's and the Caribbean's least documented and studied musical and dance genres. The author argues for an ethnographically-based alternative to the standard evolutionary construction of the Cuban son's historical development by showing that changuei, nengon, and kiriba-the son's perceived "antecedents"-are not only distinct in their performative dimensions, but they also continue to contribute in their own idiosyncratic ways to the local and contemporary soundscape of Guantanamo. Herein lies Lapidus's major scholarly contribution to the kind of popular music studies that eschews a linear evolutionary framework of music history and instead focuses on the meanings generated where memory, history, performance, and the local, national, and transnational intersect. -- David F. Garcia, assistant professor, ethnomusicology, UNC - Chapel Hill In this ground-breaking study of changuei, Ben Lapidus sheds light on a lesser-known but important genre of Cuban music, providing detailed analysis of its musical form while at the same time situating it in the broader context of eastern Cuba's unique history and music culture. -- Peter L. Manuel, John Jay College and the Graduate Center, CUNY
Sprache
Verlagsort
Maße
Höhe: 235 mm
Breite: 157 mm
Dicke: 18 mm
Gewicht
ISBN-13
978-0-8108-6204-3 (9780810862043)
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Schweitzer Klassifikation
Benjamin Lapidus is assistant professor of music at John Jay College of Criminal Justice, CUNY. He has published in Ethnomusicology, Latin Beat Magazine, and the Journal of the Center for Puerto Rican Studies.
Part 1 Foreword Part 2 Preface Part 3 Acknowledgements Part 4 Introduction Chapter 5 1. Guantanamo and the Greater Oriente Region Chapter 6 2. Como se toca se baila, como se baila se toca: The Instruments and Their Roles in the Changuei Ensemble Chapter 7 3. Styles of Tres Improvisation Chapter 8 4. Historicity and Self-Referencing in Changuei Songs Chapter 9 5. The Changuei Complex In Guantanamo Chapter 10 6. Variations of Changuei Outside of Guantanamo Chapter 11 7. The Afro-Haitian Presence in Eastern Cuba and its Significance in the Development of the Cuban Son Chapter 12 8. Cultural Festivals and Musical Competitions in Guantanamo and Oriente Part 13 Conclusion: Changuei, Son, and the Pan-Caribbean Perspective Part 14 Bibliography Part 15 Index Part 16 About the Author