In this book, Henrike Lange takes the reader on a tour through one of the most beloved and celebrated monuments in the world - Giotto's Arena Chapel. Paying close attention to previously overlooked details, Lange offers an entirely new reading of the stunning frescoes in their spatial configuration. The author also asks fundamental questions that define the chapel's place in Western art history. Why did Giotto choose an ancient Roman architectural frame for his vision of Salvation? What is the role of painted reliefs in the representation of personal integrity, passion, and the human struggle between pride and humility familiar from Dante's Divine Comedy? How can a new interpretation regarding the influence of ancient reliefs and architecture inform the famous "Assisi controversy" and cast new light on the debate around Giotto's authorship of the Saint Francis cycle? Illustrated with almost 200 color plates, this volume invites scholars and students to rediscover a key monument of art and architecture history and to see it with new eyes.
Rezensionen / Stimmen
'Giotto's Paduan masterpiece, the Arena Chapel (ca. 1300-1307), has impressed, but also puzzled scholars since its modern fame began around 1800. Now, Henrike Lange has provided a masterly account of the Chapel as an artistic and theological reconfiguration of Roman triumphalism in the service of the Christian view of the Savior's triumph through humility. Calling on a wide range of historical and art-historical sources, as well as the theology of Saint Augustine, Lange analyzes the Chapel as a unified structure that constitutes 'a unique space of transformative painting.' This rich and challenging work will be of interest to all who are concerned with understanding one of the premier works of Western art.' Bernard McGinn, Naomi Shenstone Donnelley Professor Emeritus, Divinity School, University of Chicago 'Dr. Lange's subject, broadly speaking, is the very foundation of modern Western painting. Her writing grows from a distinctly historical approach and probes the Roman roots of Giotto's sense of history (which bears strong resemblances to Dante's thinking about Roman history in the Divine Comedy) ... Lange has the rare ability to build bridges for the reader, for instance with her command of European languages that are indeed her metaphorical bridges and allow her to lay out the vast libraries of research on Giotto written in different linguistic and scholarly traditions. The very elegance and clarity of her writing suggest that Lange's will be a contribution of real significance and will have quite an impact on medieval and Renaissance studies.' Giuseppe Mazzotta, Sterling Professor of Italian Language and Literature, Yale University 'A great reading experience ... Lange delivers an ingenious treatment of Giotto's framing faux architecture and meaningful Rahmenbeiwerk. This absorbing book does not see its hero, Giotto, as liberated from ancient Rome, but rather demonstrates that it is exactly Giotto's resistance to the ghost of pagan antiquity which contributes to his greatest achievements. Lange shows how Giotto creates a Christian form of similitude and overcoming, as triumph - typologically, a triumph of humility as a critical form, and therefore as an argument for Giotto's modernity.' Wolfgang Kemp, Professor of History of Art, University of Hamburg
Sprache
Verlagsort
Illustrationen
Worked examples or Exercises
Maße
Höhe: 286 mm
Breite: 221 mm
Dicke: 24 mm
Gewicht
ISBN-13
978-1-316-51104-6 (9781316511046)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Henrike Christiane Lange is Associate Professor in History of Art and Italian Studies at the University of California, Berkeley. Lange completed her Magister Artium at Universitaet Hamburg, Germany, before earning her PhD at Yale University. The present book is the culmination of two decades of research at sites, archives, and collections across Europe.
Autor*in
University of California, Berkeley
1. A Venetian dream of Rome and Jerusalem; 2. 1300: the moment of the Jubilee in Rome and in Padua; 3. The powers that were Scrovegni, Dalesmanini, Frangipani; 4. Giotto's painted reliefs; 5. Triumph and apotheosis from Augustine to Dante; Epilogue: Relief, triumph, transcendence.
