This book tries to apply James J. Gibson's ecological approach to picture perception to questions of visual communication and aesthetics; it provides examples from architecture, industrial design and the arts, to testify the feasibility of this application. Additional theoretical analyses, partly based on cross-cultural and clinical research, help supplement Gibson's basic conjecture, that picture perception is essentially based on invariants of optical structure, rather than interpretation.
Reihe
Auflage
Softcover reprint of the original 1st ed. 1990
Sprache
Verlagsort
Verlagsgruppe
Zielgruppe
Für höhere Schule und Studium
Für Beruf und Forschung
Research
Illustrationen
9
9 s/w Abbildungen
VIII, 143 p. 9 illus.
Maße
Höhe: 244 mm
Breite: 170 mm
Dicke: 9 mm
Gewicht
ISBN-13
978-3-540-52200-3 (9783540522003)
DOI
10.1007/978-3-642-84106-4
Schweitzer Klassifikation
1. Introduction: The ecological optics of information surfaces.- I: Pictures, plans, drawings, and displays - surrogate information and means for communication.- 2. Picture perception as "indirect" perception.- 3. The communicative potential of pictures: eleven theses.- 4. On two distinct and quintessential kinds of pictorial representation.- 5. Meaning, presence and absence in pictures.- 6. Decomposing optical stimulus information by pictures.- 7. Communicating design ideas: a pictorial essay.- 8. Functional versus dysfunctional aspects of information surfaces.- II: Ecological aesthetics.- 9. The semiotics and aesthetics of surfaces and surface layouts.- 10. Ecological perception and aesthetics: pictures are affordance-free.- 11. The "aesthetic experience" as perceiving the general affordance of explorability.- 12. Epilogue: Availability and affordances of information from information surfaces.- Author index.- List of contributors.
