In Physique, Peter Kuhnst traces the history of the nude athlete in photography through distinct historical eras. He begins in the mid-19th century with images from the early years of photography and proceeds to the 'moving' nude as exemplified by Eadweard Muybridge and the painterly photography of Pictorialism. In the second section, covering the first half of the 20th century, Kuhnst focuses on European Naturalism and the creative images of nudes in sport by photographers representing the New Objectivity. The rise of Nazism was accompanied by a tendency toward a heroic view of the nude in photography, which was influenced in part by Italian Futurism; Leni Riefenstahl was a primary exponent of this movement. The third section identifies a number of different photographic styles devoted to tradition, to rebellious protest and to provocative gags, and examines the aesthetic works of such American photographers as Robert Mapplethorpe, Herb Ritts, Bruce Weber and Annie Leibovitz.
Sprache
Verlagsort
Illustrationen
Maße
Höhe: 284 mm
Breite: 245 mm
Dicke: 15 mm
Gewicht
ISBN-13
978-0-500-28475-9 (9780500284759)
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Schweitzer Klassifikation
Peter Kuhnst is on the university faculty as Professor of Sports Science at the University of Bochum. His post-doctoral dissertation Sports: A Cultural History in the Mirror of Art, published in 1996, earned him considerable critical acclaim.
Foreword; The Athletic Nude - Photographic History of the Well-Trained Body from 1852 to 1900 The Early Years; Chronophotography; Academies and Eroticism; Naturism in Europe and America; Pictorialism; Portfolio The 1920s and 1930s The Nude - Dance - Film; Nudist Culture; Photographers - Artists - Athletes; Gerhard Riebicke - Focus on the Athletic Body; From Alternative Reforms to Totalitarian Programs; Portfolio II Postmodernism and its Mannerisms The Californian Arcadia; Body Cult, Nudism and the Culture of Body Art; From theWell-Trained Body to an Athletic Product: Contemporary Photography; Portfolio III