A new generation of European cartoonists
Bringing together the work of an array of North American and European scholars, this collection highlights a previously unexamined area within global comics studies. It analyses comics from countries formerly behind the Iron Curtain like East Germany, Poland, Czech Republic, Hungary, Romania, Yugoslavia, and Ukraine, given their shared history of WWII and communism. In addition to situating these graphic narratives in their national and subnational contexts, Comics of the New Europe pays particular attention to transnational connections along the common themes of nostalgia, memoir, and life under communism. The essays offer insights into a new generation of European cartoonists that looks forward, inspired and informed by traditions from Franco-Belgian and American comics, and back, as they use the medium of comics to reexamine and reevaluate not only their national pasts and respective comics traditions but also their own post-1989 identities and experiences.
Contributors: Max Bledstein (University of Winnipeg), Dragana Obradovic (University of Toronto), Aleksandra Sekulic (University of Arts in Belgrade), Pavel Korinek (Institute of Czech Literature, Czech Academy of Sciences in Prague), Martin Foret (Palacky University), Michael Scholz (Uppsala University), Sean Eedy (Carleton University), Elizabeth Nijdam (University of British Columbia), Ewa Stanczyk (University of Amsterdam), Eszter Szep (Eoetvoes Lorand University)
This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).
In this video Martha Kuhlman discusses various aspects of the book 'Comics of the New Europe', focusing in particular on Czech authors.
Rezensionen / Stimmen
Altogether, this volume represents a very welcome and stimulating introduction to comics production in a region that has been overlooked by critics. [...] this collection does represent an intriguing and novel exploration of new areas of study for comics scholarship. The introduction makes clear that the editors "consider this book an open invitation for further research" (13). It can only be hoped that their call will find receptive ears, and that some at least of the obviously worthwhile works they discuss will also find suitable publishers in the "old" Europe or North America.Vittorio Frigerio, Paradoxa, No. 32, 2021 Carefully edited by two specialists of comics culture and Slavic culture with a longtime interest in the margins
of Western culture, this collection on the comics culture of Central and Eastern Europe (that is the countries
that have progressively joined the EU after the fall of the Berlin Wall) is much more than an eye-opener. The
book does not only disclose a wide range of a virtually "unknown" production (and why not confess that I felt
ashamed of my own ignorance as a European scholar after reading Comics of the New Europe?), it also offers a
new insight of the very meaning of making and reading comics in cultural, economic, political and ideological
contexts that are sometimes very different from what we take for granted. Jan Baetens, IMAGE
[&] NARRATIVE, Vol. 22, No.1 (2021)
Reihe
Sprache
Verlagsort
Zielgruppe
Für höhere Schule und Studium
US School Grade: College Graduate Student and over
Illustrationen
18 color images, 23 b&w images
Maße
Höhe: 230 mm
Breite: 170 mm
Dicke: 18 mm
Gewicht
ISBN-13
978-94-6270-212-7 (9789462702127)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Martha Kuhlman is professor of Comparative Literature in the Department of English and Cultural Studies at Bryant University. Jose Alaniz is professor in the Department of Slavic Languages and Literatures and in the Department of Comparative Literature at the University of Washington, Seattle.
General Introduction: Comics of the 'New' Europe Martha Kuhlman, Jose Alaniz
Part 1: The Former Yugoslav States
Un-Drawn Experience: Visualizing Trauma in Aleksandar Zograf's Regards from Serbia
Max Bledstein
Filial Estrangement and Figurative Mourning in the Work of Nina Bunjevac
Dragana Obradovic
Reality Check Through the Historical Avant-garde: Danilo Milosev Wostok
Aleksandra Sekulic
Part 2: Czechoslovakia/the Czech Republic
Facets of Nostalgia: Text-centric Longing in Comics and Graphic Novels by Pavel Cech
Pavel Korinek
The Avant-Garde Aesthetic of Vojtech Masek
Martha Kuhlman
Regardless of Context: Graphic Novels with the Faceless (and Homelandless) Hero of Branko Jelinek
Martin Foret
Part 3: Germany
Co-Opting Childhood and Obscuring Ideology in Mosaik von Hannes Hegen, 1959-1974
Sean Eedy
Images of Spies and Counter Spies in East German Comics
Michael F. Scholz
Towards a Graphic Historicity: Authenticity and Photography in the German Graphic Novel
Elizabeth "Biz" Nijdam
Part 4: Poland, Ukraine, Romania, Hungary
Women, Feminism and Polish Comic Books: Fras/Hagedorn's Totalnie nie nostalgia
Ewa Stanczyk
Igor Baranko and National Precarity in Post-Soviet Ukrainian Comics
Jose Alaniz
The Autobiographical Mode in Post-Communist Romanian Comics:
Everyday Life in Brynjar Abel Bandlien's Strimb Living and Andreea Chirica's The Year of the Pioneer
Mihaela Precup
Avatars and Iteration in Contemporary Hungarian Autobiographical Comics
Eszter Szep
Acknowledgments
About the authors
Index