The Cinema of Bela Tarr is a critical analysis of the work of Hungary's most prominent and internationally best known film director, written by a scholar who has followed Bela Tarr's career through a close personal and professional relationship for more than twenty-five years. Andras Balint Kovacs traces the development of Tarr's themes, characters, and style, showing that almost all of his major stylistic and narrative innovations were already present in his early films and that through a conscious and meticulous recombination of and experimentation with these elements, Tarr arrived at his unique style. The significance of these films is that, beyond their aesthetic and historical value, they provide the most powerful vision of an entire region and its historical situation. Tarr's films express, in their universalistic language, the shared feelings of millions of Eastern Europeans.
Rezensionen / Stimmen
Much of the available commentary on the films of Bela Tarr is often confused and confusing. Andras Balint Kovacs cuts through this Gordian Knot with a comprehensive but detailed and precise analysis; this is film-writing at its very best. -- John Cunningham, author of Hungarian Cinema: From Coffee House to Multiplex
Reihe
Sprache
Verlagsort
Verlagsgruppe
Columbia University Press
Zielgruppe
Für höhere Schule und Studium
Produkt-Hinweis
Illustrationen
Maße
Höhe: 229 mm
Breite: 152 mm
Gewicht
ISBN-13
978-0-231-16531-0 (9780231165310)
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Schweitzer Klassifikation
Andras Balint Kovacs is professor of film studies at the ELTE University of Budapest. He has also lectured at La Sorbonne Nouvelle and the Ecole Normale Superieure in Paris. He has published primarily on modern European art cinema, and his most recent book is Screening Modernism.
Acknowledgements Introduction 1. The Persona 2. Style in the Early Years 3. The Tarr style 4. The Tarr style in Evolution 5. Narration in the Tarr Films 6. The Characters Conclusion Filmography Select Bibliography Index of Names