In early modern Europe, the emergence and development of print culture proved a powerful new method for producing and disseminating knowledge of Russia through visual means. By examining the images of Russia found in travel accounts, pamphlets, maps and costume books, this study demonstrates how the visual shaped a dual understanding of these lands: Russia and Russians were portrayed as familiar, but the steppe and forest frontiers were seen as forbidding and exotic. As these images were reproduced and plagiarized in new formats, so too were their meanings - the idea of Russia was one which constantly shifted across genres, usages, and audiences. Nancy Kollmann examines the techniques harnessed by artists and publishers to suggest the authenticity of their publications, and explores in turn how these complex depictions of Russia contributed to Europeans' understanding of themselves.
Rezensionen / Stimmen
'For nearly two hundred years West Europeans had a collection of images of a society both familiar and different, a familiarity reinforced by the images of the much more alien forest and steppe peoples of Russia's frontiers. Nancy Kollmann shows how extensively these images circulated, and how their use says as much about the European print market as it does about Russia. That conclusion is an important correction to the common idea that European accounts of Russia and the accompanying images are nothing more than the construction of an image of an exotic neighbor.' Paul Bushkovitch, Yale University 'In this innovative study, Nancy Kollmann enhances our understanding of Western knowledge of Muscovy by examining not only the printed texts of travellers' accounts, but also the illustrations that accompanied them. The book will be of great interest to historians of European publishing as well as to Russianists.' Maureen Perrie, University of Birmingham 'Moving between sumptuous courts and inky printshops, Visualizing Russia in Early Modern Europe tells the engaging story of an ocular relationship, a way of seeing, that connects two close yet distant neighbors. With Nancy Kollmann's expert guidance, we learn not only how Europe saw Russia but even more how Europeans saw themselves during a momentous and changing time.' Willard Sunderland, University of Cincinnati
Sprache
Verlagsort
Zielgruppe
Für höhere Schule und Studium
Produkt-Hinweis
Fadenheftung
Gewebe-Einband
Illustrationen
Worked examples or Exercises
Maße
Höhe: 232 mm
Breite: 159 mm
Dicke: 26 mm
Gewicht
ISBN-13
978-1-009-41868-3 (9781009418683)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Nancy Kollmann is the William H. Bonsall Professor in History at Stanford University. Kollmann's research focuses on Russia in the early modern period, and she holds particular interests in politics, law, empire in action, and the role of the visual. Previous publications include The Russian Empire 1450-1801 (2017) and Crime and Punishment in Early Modern Russia (Cambridge, 2012).
Autor*in
Stanford University, California
Introduction: early modern print culture; Part I. Encountering Russia Visually: 1. Imagery in an ocularcentric century; 2. Humanism encounters Russia; Part II. Sigismund von Herberstein: 3. Rerum Moscoviticarum Commentarii (1549) as humanist chorography; 4. Herberstein's use of the visual; Part III. The Muscovy Company Maps Eurasia: 5. The Muscovy company as knowledge network; 6. Map as chorography; 7. Visuality explodes: Russians in turn of the century sources; 8. Adam Olearius: eyewitness extraordinaire; 9. Olearius: text and image order the world; Conclusion.
