Pierrot, a theatrical stock character known by his distinctive costume of loose white tunic and trousers, is a ubiquitous figure in French art and culture. This richly illustrated book offers an account of Pierrot's recurrence in painting, printmaking, photography and film, tracing this distinctive type from the art of Antoine Watteau to the cinema of Occupied France. As a visual type, Pierrot thrives at the intersection of theatrical and marketplace practices. From Watteau's Pierrot (c. 1720) and Edouard Manet's The Old Musician (1862) to Nadar and Adrien Tournachon's Pierrot the Photographer (1855) and the landmark film Children of Paradise (1945), Pierrot has given artists a medium through which to explore the marketplace as a form for both social life and creative practice. Simultaneously a human figure and a theatrical mask, Pierrot elicits artistic reflection on the representation of personality in the marketplace. -- .
Rezensionen / Stimmen
'I cannot overstate the value of this deeply scholarly, beautifully written account of the social, theatrical, and mercantile influences on French art and popular culture.'
Robert A. Nye, French History Journal -- .
Sprache
Verlagsort
Illustrationen
16 colour illustrations, 64 black & white illustrations
Maße
Höhe: 240 mm
Breite: 161 mm
Dicke: 22 mm
Gewicht
ISBN-13
978-1-5261-7409-3 (9781526174093)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Marika Takanishi Knowles is a Senior Lecturer in Art History at the University of St Andrews -- .
Introduction
1 Antoine Watteau and the fete marchande
2 Pierrot-co-co
3 New Paris, old Pierrot (new Pierrot, old Paris)
4 Nadar charlatan
5 Old clothes and the dreams of the artist
Conclusion
Index -- .
