In a place like no other, on an island in the shape of a tear drop, two sisters are born into a family of the oracle. Kamikuu, with creamy skin and almond eyes, is admired far and wide; Namima, small but headstrong, learns to live in her sister's shadow.
On her sixth birthday, Kamikuu is presented with a feast of sea-serpent egg soup, sashimi and salted fish, and a string of pure pearls. Kamikuu has been chosen as the next Oracle, while Namima is shocked to discover she must serve the goddess of darkness. So begins an adventure that will take Namima from her first experience of love to the darkness of the underworld. But what happens when she returns to the island for revenge?
Natsuo Kirino, the queen of Japanese crime fiction, turns her hand to an exquisitely dark tale based on the Japanese myth of Izanami and Izanagi. A fantastical, fabulous tour-de-force, it is a tale as old as the earth about ferocious love and bitter revenge.
Rezensionen / Stimmen
Daring and disturbing . . . [Kirino is] prepared to push the human limits of this world . . . Remarkable * * Los Angeles Times * * It is one of the most unexpected and playful novels to emerge from Japan in recent years . . . a triumph. In its boldness and originality, it broadens our sense of what modern Japanese fiction can be -- (for Real World) * * Telegraph * * Be prepared for a book utterly unlike anything we are used to in crime fiction -- (for Real World) * * Independent * * Got my heart beating -- (for Out) Rose Tremain * * Daily Telegraph * * In her wildly far-reaching tale of relations between gods and men, men and women, life and death, darkness and light, Natsuo Kirino tells a peripatetic, global, and truly satisfying love story of how it is to be human * * Stella Duffy * * Kirino's retelling is a taut, disturbing and timeless tale, filled with rage and pathos for the battles that women have to fight every day, battles which have, apparently, existed from the moment of creation -- Tan Twan Eng * * the Guardian * * I have to say I had a wonderful experience reading this novel because not only Natsuo Kirino has once again captured my attention through her great writing skill and her most unforgettable plot, but what most made this book such a satisfying read is the thought-provoking message behind the story. I couldn't put my feelings into words; this is one novel that you need to read it to experience it * * Melody's Reading Corner * * What an enjoyable tale I found this to be, involving: love, loss, betrayal, hatred and revenge with great storytelling qualities, memorable characters an epic and mythical read . . . A tale that will have you captivated and fully intertwined, a love story that will remain in your mind and felt in your heart for many cycles of the Sun * * More2Read * * [Izanami and Izanagi's] story provides a point of comparison and contrast with Namima's . . . All is wrapped up in clean prose that gives this engaging novel a mythic feel of its very own * * Follow the Tread * * The Goddess Chronicle dissects the myths of female helplessness, power and vindictiveness with simplicity and empathy. And like all myths that transcend boundaries, it will resonate with women of every culture -- Ong Sor Fern * * The Straits Times * *
Reihe
Auflage
Sprache
Verlagsort
Produkt-Hinweis
Maße
Höhe: 220 mm
Breite: 143 mm
Dicke: 28 mm
Gewicht
ISBN-13
978-1-84767-301-5 (9781847673015)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Natuso Kirino is a leading figure in the recent boom of female writers of Japanese hard-boiled crime fiction. A prolific writer, she is most famous for her 1998 novel, Out, which received the Grand Prix for Crime Fiction, Japan's top mystery award and was a finalist (in translation) for the 2004 Edgar Award. So far, four of her novels have been translated into English: Out, Grotesque, Real World and What Remains.
Rebecca Copeland is a professor of Japanese literature at Washington University in St. Louis, Missouri, where her research and teaching focuses on women, gender, and translation studies. A fan of Natsuo Kirino's work, she also translated her 2003 novel Grotesque
