Exploring the ways in which painting, applied design and illustration intertwined over the course of the accomplished career of Paul Nash (1889-1946), this book provides a new perspective on one of the most gifted and celebrated English artists of the twentieth century.
Skilfully navigating the diversity of Nash's design output, which drew in illustration, book jackets, posters, set design, pattern papers, fabrics, glass, ceramics and photography, in the context of Nash's painting and wider pre-occupations, James King presents an artist who strove to resolve his artistic vision. With Nash's work informed by seismic shifts within the visual arts during his lifetime - from the influence of the Arts and Crafts Movement on the one hand, to Surrealism and Abstraction on the other - this fascinating book reveals the considerable gifts that allowed Nash to create a wholly original vision in turn.
Rezensionen / Stimmen
'This unusually beautiful octavo book shows that the design work of English surrealist, landscape painter and official war artist Paul Nash (1889-1946), although spasmodic and commissioned in many media, was a central part of his production.' - The Art Newspaper
Sprache
Verlagsort
Illustrationen
Illustrations; 120 Illustrations, color; 40 Illustrations, black and white
Maße
Höhe: 180 mm
Breite: 249 mm
Dicke: 28 mm
Gewicht
ISBN-13
978-1-84822-445-2 (9781848224452)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
James King is a Professor of English at McMaster University, Canada. A prolific writer of both fiction and non-fiction, previous books include Interior Landscapes: A Life of Paul Nash, The Last Modern: A Life of Herbert Read and Roland Penrose: The Life of a Surrealist.
Acknowledgements; Introduction; Chapter 1: The Artist as Acrobat; Chapter 2: Meeting Places; Chapter 3: The Artist Outside the Theatre; Chapter 4: An Artist Turned Loose; Chapter 5: 'Vast Primitive Things'; Chapter 6: Marketing Modernism; Chapter 7: A New Eye; Chapter 8: Fine and Applied Art; Notes; Bibliography; Index
