The Design Politics of the Passport

Rezensionen / Stimmen

Keshavarz makes a series of important points about postcoloniality, race, and gender in determining the privileges and prejudices intertwined in the act of travelling across borders. * Journal of Design History * Essential reading for those engaged in global design history and related fields such as politics and sociology ... Keshavarz is to be commended for an engaging and provocative book that succeeds in communicating historical and contemporary experiences of migration, as well as illuminating critical issues that are largely underrepresented in design history. * Journal of Design History * Mahmoud Keshavarz's original and evocative book, The Design Politics of the Passport, blasts conventional design studies out of the water, brilliantly exposing design's role in making a world that contains and controls certain subjects more than others. * Alison J. Clarke, Chair of Design History and Director of the Papanek Foundation at the University of Applied Arts, Vienna, Austria * In this provocative book, Mahmoud Keshavarz puts into question reigning notions of critical design, national identity, illegality, forgery, and much more. He does this by unravelling a seemingly mundane designed artefact: the passport, shifting attention from the design of passports to what passports design as they act in the world. As such, this is an exemplary study of ontological designing in action, and an important book for thinking the inter-relation of design and politics. The sharp theoretical analysis is grounded in, and enriched by, case studies of the effects of regimes of passporting on individual lives. The Design Politics of the Passport is timely in its address to the uneven distribution of rights of movement in a world where political, economic and climatic catastrophes are compelling increasing numbers of people to be on the move. * Anne-Marie Willis, Visiting Professor of Architecture at the University of Adelaide, Australia * In this exciting and conceptually ambitious study, Mahmoud Keshavarz gives new meaning and substance to such well established concepts as the production of space and the diagram of power. By examining with incisive care and precision the co-articulations of space and power through the artefact of the passport, this book's interrogation of the politics of design and the design of power offers a refreshing and path-breaking perspective on the materiality of bordering and im/mobiilty. * Nicholas De Genova, Professor and Chair of the Department of Comparative Cultural Studies, University of Houston, USA *