'Immediate, intimate and never less than captivating' - Guardian
From the bestselling author of Burial Rites comes an inspirational memoir about her travels in Iceland, an extraordinary country that has forged a nation of storytellers.
When she was seventeen years old, Hannah Kent travelled to Iceland from Australia. She'd never seen snow before, didn't speak a word of Icelandic. All she knew was that she wanted to have an experience - to soak up something of the world.
Soon she found herself isolated in a remote part of Iceland in a dark winter. It was a gruelling experience, but she quickly fell in love with the country: with its brutally beautiful landscapes and with its people. On returning home, with images of Iceland's towering glaciers and windswept tundras in her dreams, Hannah began to write.
Now, as a mother and a wife, she looks back to that extraordinary year in Iceland.
Praise for Burial Rites:
'Outstanding' - Madeline Miller
'Gripping, intriguing and unique' - Kate Mosse
'One of the best Scandinavian crime novels I've read' - Independent
'Remarkable' - The Sunday Times
'A must-read' - Grazia
Rezensionen / Stimmen
Iceland feels personified in this memoir . . . immediate, intimate and never less than captivating . . . [a] behind-the-scenes view of the artist at work. . . . an absorbing memoir that will appeal to existing readers of Kent's work, and will undoubtedly see new ones seek out her earlier writing in all its mystery and glory * Guardian Australia * A lovely memoir about the curious path she took to becoming a writer . . . [a] tender account of how Iceland captivated her and forged her literary career * The Booklist * This memoir of Kent's visit to Iceland as a teen details the source of her connection and her relationship with a country that now fetes her . . . Basking in the Northern Lights, she wonders if she can fit light on to paper * SA Weekend * Kent has drawn on her talent for lyrical language and a box full of diaries, notebooks and correspondence to create evocative descriptions of Iceland. She immerses readers in the culture * Saturday Age * [Hannah Kent] still hears from Icelanders who share stories they think might inspire her . . . which makes [her] wonder: what would have happened if she'd been sent on exchange somewhere else? * The Big Issue * [Always Home, Always Homesick] is at least as lovely as Burial Rites, and maybe more gorgeous still, for it features Kent not as she is now - wife, mother, celebrated writer - but as a shy schoolgirl who wanted nothing so much as to know the world, and maybe one day write about it * The Weekend Australian *
Sprache
Verlagsort
Verlagsgruppe
Zielgruppe
Interest Age: From 18 years
Maße
Höhe: 197 mm
Breite: 130 mm
ISBN-13
978-1-0350-6627-8 (9781035066278)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Hannah Kent's first novel, the multi-award-winning international bestseller Burial Rites, was shortlisted for the Women's Prize for Fiction, has been translated into over thirty languages, and is being adapted for film. Her second novel, The Good People, was translated into ten languages nominated for numerous awards and is also being adapted for film. Devotion, her third novel, won Booktopia's Favourite Australian Book, and was shortlisted for multiple industry awards.
Her original feature film, Run Rabbit Run, was directed by Daina Reid and starred Sarah Snook. Hannah is also the co-founder of Kill Your Darlings, and has written for The New York Times, The Saturday Paper, The Guardian, The Age, The Sydney Morning Herald, Meanjin, Qantas Magazine and LitHub. She lives and works on Peramangk and Kaurna country.
