In Sesame Street: A Transnational History, author Helle Strandgaard Jensen tells the story of how the American television show became a global brand. Jensen argues that because the show's domestic production was not financially viable from the beginning, Sesame Street became a commodity that its producers assertively marketed all over the world. Sesame Street: A Transnational History combines archival research from seven countries, bolstering an insightful analysis of how local reception and rejection of the show related to the global sales strategies and American ideals it was built upon.
Contrary to the producers' oft-publicized claims of Sesame Street's universality, the show was heavily shaped by a fixed set of assumptions about childhood, education, and commercial entertainment. This made sales difficult as Sesame Street met both skepticism and direct hostility from foreign television producers who did not share these ideals. Drawing on insights from new histories about childhood, education, and transnational media, the book lays bare a cultural clash of international proportions rooted in divergent approaches to children's television. In doing so, it provides a reflective backdrop to the many ongoing debates about children's media.
In contrasting the positive receptions and renunciations of Sesame Street, Jensen demonstrates that it was only after a substantial rethinking of Sesame Street's aims and business model that this program ended up on numerous broadcasting schedules by the mid-1970s. Along the way, this rethinking and the constant negotiations with potential international buyers created and shaped the business and corporate brand that paved the way for the Sesame Street we know today.
Rezensionen / Stimmen
Jensen's thought-provoking and well-researched book is sure to spark conversation among historians of education and childhood, as well as scholars interested in the transnational and global movement of media and ideas. * Leslie Harris, Diplomatic History * The comparative approach puts the interaction between local and global, region and regions to the forefront, and illustrates the differences in the Workshop's strategies and attempts between different regions in the transnational expansion of Sesame Street [...] Through these case studies and archival materials, Jensen not only illustrates that children's media is not a 'culturally free' product but demonstrates the culturally different views of childhood, education, and television, enriching the cultural dimension of transnational history. * Wanqiao Chen, Historical Journal of Film, Radio and Television * It is a valuable resource for scholars of history and media history. * Wanqiao Chen, Historical Journal of Film, Radio and Television * Strandgaard Jensen achieves the goal of answeringcritical questions and her book provides an argument that should lead to further research,particularly audience research, to explore the impact of globalised television on audiences. * Laura Sinclair, Critical Studies in Television: The International Journal of Television Studies *
Sprache
Verlagsort
Produkt-Hinweis
Broschur/Paperback
Klebebindung
Illustrationen
Maße
Höhe: 232 mm
Breite: 156 mm
Dicke: 18 mm
Gewicht
ISBN-13
978-0-19-755416-6 (9780197554166)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Helle Strandgaard Jensen is Associate Professor in the Department of History and Classical Studies at Aarhus University, Denmark. She is the author of From Superman to Social Realism: Children's Media and Scandinavian Childhood. She holds a Ph.D. in History from the European University Institute in Florence, Italy, and has been a visiting fellow at universities in the UK, the US, Norway, and Sweden. Her work has appeared in Media History; Journal of Children and Media; Media, Culture & Society; Journal for the History of Childhood and Youth; The Programming Historian, and elsewhere. She holds a shared directorship at the Center for Digital History Aarhus. She lives in Abyhoj, Denmark, and her favorite time is spent cooking, reading, and playing video games with her family.
Autor*in
Associate Professor of Contemporary Cultural HistoryAssociate Professor of Contemporary Cultural History, Aarhus University
Preface
INTRODUCTION
Culture-Free TV?
CHAPTER 1
Domestic Origins: The Workshop's Business Model
CHAPTER 2
Ensuring Early Success: Strategies to Conquer the International Market
CHAPTER 3
Ban and Bother: The Workshop's troubles in the UK
CHAPTER 4
Negotiating Local Needs: Sesame Street in West Germany
CHAPTER 5
Other Childhoods: Sesame Street in Scandinavia
CONCLUSION
Narrow Vision: Looking Back at a Global Success
Consulted Archival Material
Bibliography
Index