'It has been hand-planted by Tsarinas and felled by foresters. It has been celebrated by peasants, worshipped by pagans and painted by artists. It has self-seeded across mountains and rivers and train tracks and steppe and right through the ruined modernity of a nuclear fall-out site. And like all symbols, the story of the birch has its share of horrors (white, straight, native, pure: how could it not?). But, maybe in the end, what I'm really in search of is a birch that means nothing: stripped of symbolism, bereft of use-value . . . A birch that is simply a tree in a land that couldn't give a shit.'
The birch, genus Betula, is one of the northern hemisphere's most widespread and easily recognisable trees. A pioneer species, the birch is also Russia's unofficial national emblem, and in The White Birch art critic Tom Jeffreys sets out to grapple with the riddle of Russianness through numerous journeys, encounters, histories and artworks that all share one thing in common: the humble birch tree.
We visit Catherine the Great's garden follies and Tolstoy's favourite chair; walk through the Chernobyl exclusion zone and among overgrown concrete bunkers in Vladivostok; explore the world of online Russian brides and spend a drunken night in Moscow with art-activists Pussy Riot, all the time questioning the role played by Russia's vastly diverse landscapes in forming and imposing national identity. And vice-versa: how has Russia's dramatically shifting self-image informed the way its people think about nature, land and belonging?
Curious, resonant and idiosyncratic, The White Birch is a unique collection of journeys into Russia and among Russian people.
Rezensionen / Stimmen
A natural-political exploration of Russian relationships with the birch tree across past, present, and future. Moving from the Tsarina's garden to the Soviet Gulag, from Chernobyl to Lake Baikal, The White Birch is elegant and intrepid, like its subject -- Daisy Hildyard, author of The Second Body and Hunters in the Snow 'Genuinely revelatory' -- Sophy Richards * TLS * There could be no better guide through the thickets of meaning, history and imagery that entangle with the birch tree than figurative forester Tom Jeffreys -- Melissa McCarthy, author of Sharks Death Surfers A beautiful and profound meditation on the way landscape shapes art and life. I was entranced by The White Birch, a book that comes close to encapsulating the vast enigma of Russia in the form of a single tree -- Alex Preston, author of Winchelsea and As Kingfishers Catch Fire I love this book. Jeffreys admits he doesn't know where he's going at every turn, but trusts his instinct - and his ear for a good story - as he tries to untangle myth from fact . . . This is the great joy of The White Birch -- Mark Hooper * Caught by the River *
Sprache
Verlagsort
Verlagsgruppe
Illustrationen
photographs and reproductions throughout
Maße
Höhe: 143 mm
Breite: 225 mm
Dicke: 35 mm
Gewicht
ISBN-13
978-1-4721-5567-2 (9781472155672)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Tom Jeffreys is a writer and critic with a particular interest in art that engages with environmental questions. His writing has appeared in publications including ArtReview, Frieze, the Independent, Monocle, New Scientist and The World of Interiors. He is the author of Signal Failure: London to Birmingham, HS2 on foot (Influx Press, 2017) and editor of online magazine The Learned Pig. He lives in Edinburgh and is obsessed with cricket.
