*An Observer Book of the Year*
'One of the most gripping accounts... of the Nazis' rise to power. It contains many lessons for the world now.' - John Kampfner, bestselling author of Why The Germans Do It Better
'Outstanding... This is history at its very best.' - Julia Boyd, bestselling author of Travellers in the Third Reich
Germany, 1918: a country in flux. The First World War is over, the nation defeated. Revolution is afoot, the monarchy has fallen and the victory of democracy beckons. Everything must change with the times.
Out of the ashes of the First World War, Germany launches an unprecedented political project: its first democratic government. The Weimar Republic is established. The years that follow see political extremism, economic upheaval, revolutionary violence and the transformation of Germany. Tradition is shaken to its core as a triumphant procession of liberated lifestyles emerges. Women conquer the racetracks and tennis courts, go out alone in the evenings, cut their hair short and cast the idea of marriage aside. Unisex style comes into fashion, androgynous and experimental. People revel in the discovery of leisure, filling up boxing halls, dance palaces and the hotspots of the New Age, embracing the department stores' promise of happiness and accepting the streets as a place of fierce political battles.
In this short burst of life between the wars, amidst a frenzy of change, comes a backlash from those who do not see themselves reflected in the new Republic. Little by little, deep divisions begin to emerge. Divisions that would bring devastating consequences, altering the course of the twentieth century and the lives of millions around the world. Vertigo is a vital, kaleidoscopic portrait of a pivotal moment in German history.
Rezensionen / Stimmen
The Weimar Republic is a byword for hedonism and excess. A new history captures the mood with gusto ... For obvious reasons most histories of the Weimar years are dominated by politics, with Hitler and his cronies lurking ominously on the margins. But Jaehner's account is more unconventional, more surprising and, frankly, more enjoyable ... I enjoyed it enormously. * Dominic Sandbrook, Sunday Times * Harald Jaehner's vivid history depicts Germany's dizzying era of change - and its catastrophic finale ... Vertigo presents not a chronicle of events but a tapestry of mass emotions ... Jaehner's approach not only carries a heavy cultural spin but puts the politics of collective feeling - from exhilaration to despair - centre stage ... Vertigo draws well on the brilliant reporters and commentators of a time when journalism - as practised by giants such as Kurt Tucholsky or Joseph Roth - enjoyed a 'stylistic and perceptive heyday'Jaehner benefits hugely from Shaun Whiteside's swift and agile translation, always alert to the edgy, crackling modernity of Weimar prose. * Boyd Tonkin, Financial Times * Polarised, gullible, narcissistic, wild: does this picture of society sound familiar? Jaehner surveys the brief life of the Weimar Republic, in all its Charleston-dancing, free-loving, money-burning madness, and hints at eerie parallels with the West today. * The Telegraph * From women in the workplace to traffic lights, from yo-yos to dance culture, Jaehner tracks the 15 chaotic years of the Weimar Republic with his characteristic verve and attention to detail. This is one of the most gripping accounts of an era spanning war defeat, humiliation and failed revolution in 1918 to the violence, intimidation and propaganda of the Nazis' rise to power in 1933. It contains many lessons for the world now. * John Kampfner, bestselling author of Why the Germans Do it Better * Vertigo is outstanding. Harald Jaehner's gift for illuminating the big picture with telling detail gives the reader an uncanny sense of what it was actually like to be present in Germany during the Weimar Republic. This is history at its very best. * Julia Boyd, bestselling author of Travellers in the Third Reich and A Village in the Third Reich * Wonderfully written and compulsively, electrifyingly readable. The Weimar Republic and its chilling fall is - like Shakespearean tragedy - an enduringly fascinating, profoundly human story. And with consummate skill and a rich breadth of research, Harald Jaehner makes us look again at what we thought we knew and gives this history new, extraordinary depth. Taking us through the neurotic violence of the 1918 German revolution, and the neon flowering of Weimar art and culture, thence to the dark rise of Hitler, Jaehner deftly overturns many old assumptions about economics and politics along the way. And against this backdrop, he also invites us to explore everything from nude gymnastics to modernist architecture, fast cars to dance halls and, fundamentally, love and loss and the cold horror of hate. * Sinclair McKay, bestselling author of Berlin and Dresden * Any decent centrist will shiver at this wonderfully illustrated account of how Weimar's heady metropolitan progressiveness failed to cope with loss of national pride, technological modernism, social change, early globalisation and financial crash. The confidence of the middle classes was lost, readying them to accept wild conspiracy theories: a new fusion of hard left and hard right, National Socialism, was swept to power by Germany's flyover country, with disastrous results which the traditional elites only saw too late. A priceless lesson for anybody interested in Germany then - or the world today. * James Hawes, bestselling author of The Shortest History of Germany * An outstanding cultural history . . . A gripping account of a nation's experiment in democracy * Kirkus (starred review) *
Harald Jaehner (Author)
Harald Jaehner is a cultural journalist and former editor of the Berliner Zeitung. He was also an honorary professor of cultural journalism at the Berlin University of the Arts. His book Aftermath: Life in the Fallout of the Third Reich was shortlisted for the 2021 Baillie Gifford Prize for Non-Fiction in the UK and won the Leipzig Book Fair Prize for Non-Fiction in his native Germany.
Shaun Whiteside (Translator)
Shaun Whiteside is an award-winning translator from French, German, Italian and Dutch. His most recent translations from German include Aftermath by Harald Jaehner, To Die in Spring by Ralf Rothmann, Swansong 1945 by Walter Kempowski, Berlin Finale by Heinz Rein and The Broken House by Horst Krueger.
