Readers will learn the principles of color theory and video signal analysis, including the differences between film and video color. Beginning with an analysis of common color corrections, the book will introduce the reader to the color corrections possible with an array of digital video software, such as Final Cut Pro, Premiere, Avid, Avid Xpress DV 2.0, After Effects plug-ins, and other nonlinear software. Color correction problems and solutions are presented with tutorials on the companion CDROM to ensure that the reader gains a working knowledge of the techniques.
Sprache
Verlagsort
Verlagsgruppe
Zielgruppe
Maße
Höhe: 229 mm
Breite: 178 mm
ISBN-13
978-1-57820-201-0 (9781578202010)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Steve Hullfish produces and edits trailers, TV spots, promos and DVDs through his company, Verascope Pictures, which serves high-end clients: Universal Studios, NBC Television, DreamWorks, HIT Entertainment, Jim Henson Entertainment, VeggieTales and others. He has also co-edited two feature films for Sony/Tristar: Courageous and War Room. His 30 years of producing and editing TV shows and spots have garnered many national awards, including a national Emmy as part of the editing team of the Oprah Winfrey Show. He has co-written four other books including Color Correction for Digital Video, Avid XpressPro On the Spot, The Avid XpressPro Editing Workshop and - most recently - Avid Uncut:?Workflows, Tips, and Techniques from Hollywood Pros. He is also in demand as a color correction and editing trainer for clients including NBC Sports, Major League Soccer, Turner Networks, The Versus Network, Southeast Television, Whole Foods, Avid, Tektronix, and the Children's Television Network.
Autor*in
Editor/Producer, provideocoalition.com, USA
Chapter One: Colourists and the Post Production Process Chapter Two: Differences between Film-to-tape and Video Originated materials Chapter Three: Analyzing the Video Signal Chapter Four: Breaking down the Tools Chapter Five: The tools available on the desktop Chapter Six: Common Corrections Chapter Seven: Special Case Corrections