The Bloomsbury Encyclopedia of Popular Music Volume 9 is one of six volumes within the 'Genre' strand of the series. This volume discusses the genres of the Caribbean and Latin America relation to their cultural, historical and geographic origins; technical musical characteristics; instrumentation and use of voice; lyrics and language; typical features of performance and presentation; historical development and paths and modes of dissemination; influence of technology, the music industry and political and economic circumstances; changing stylistic features; notable and influential performers; and relationships to other genres and sub-genres. This volume features over 300 in-depth essays on genres ranging from Afro-Cuban Jazz to Alcatraz, from Carnaval to Charanga, and from Dancehall to Dub.
This and all other volumes of the Encyclopedia are now available through an online version of the Encyclopedia: https://www.bloomsburypopularmusic.com/encyclopedia-work?docid=BPM_reference_EPMOW. A general search function for the whole Encyclopedia is also available on this site. A subscription is required to access individual entries. Please see: https://www.bloomsburypopularmusic.com/for-librarians.
Rezensionen / Stimmen
"Notable editors Shepherd (music & sociology, Carleton Univ., Ottawa) and Horn (ret. director, Inst. of Popular Music, Univ. of Liverpool) collaborated on this latest volume of a well-respected popular music encyclopedia, as they have for many others in the set. The first volume in the series covers aspects of media, industry, and society; the second focuses on performance and production; and subsequent volumes concentrate on popular music genres in specific geographic regions. This ninth volume, covering the Caribbean and Latin America, features over 200 entries by popular music scholars on a wide range of genres. Entries include bibliographies, discographies, and discographical references as well as additional information on visual recordings, interviews, filmography, websites, and/or sheet music. The volume begins with maps, followed by an alphabetical listing of entries on genres, and ends with an extensive index. Genres relevant to more than one geographic area are listed separately by location. The articles provide considerable detail, and the bibliographies are extensive where appropriate. VERDICT Libraries that own the Garland Encyclopedia of World Music do not necessarily need this set; however, it does provide comprehensive articles and references on Caribbean and Latin American popular music genres that will be useful to music researchers in this field. -- Elizabeth Berndt-Morris, Central Michigan Univ. * Library Journal *
Reihe
Sprache
Verlagsort
Verlagsgruppe
Bloomsbury Publishing Plc
Zielgruppe
Illustrationen
Maße
Höhe: 244 mm
Breite: 169 mm
Gewicht
ISBN-13
978-1-4411-4197-2 (9781441141972)
DOI
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
David Horn was a founding editor of the journal Popular Music (Cambridge University Press, 1981+), and a founding member of IASPM (The International Association for the Study of Popular Music). He was Director of the Institute of Popular Music at the University of Liverpool from 1988 until his retirement in 2002. Together with the blues scholar Paul Oliver he first proposed the idea of EPMOW in the 1980s, and has worked on the project since that time. Other recent publications include two edited volumes: The Cambridge Companion to Jazz (with Mervyn Cooke, 2002),and a special issue of Popular Music in honour of Paul Oliver (2006).
Herausgeber*in
Independent Scholar, UK
Carleton University, Canada
Herausgeber*in
Independent Scholar, UK
University of California, San Diego, USA
Independent Scholar, New Zealand
Independent Scholar, USA
University of Southampton, UK
Introduction
Acknowledgements
Maps
List of contributors
Afoxe
Afro
Afro-Dominican Fusion
Aguinaldo
Aire Tipico
Albazo
Alcatraz
Aleke
Antillean Waltz
Avanzada
Axe-Music
Bachata
Baguala
Baiao
Bailanta
Bailecito
Balada
Bambuco
Banda de Bronce
Banda de Pifanos
Bele
Bigi Poku
Biguine
Bolero
Bolero Moderno
Bomba (Ecuador)
Bomba (Puerto Rico)
Bossa Nova
Bouyon
Brega
BRock
Bugio
Bumba-Meu-Boi
Buru
Cadence-Lypso
Calipso Venezolano
Calypso
Calypso Limonense
Cancao de Protesto
Cancion de Protesta (in Venezuela)
Cancion Popular Uruguaya
Cancion Ranchera/Ranchera
Candombe
Candomble
Canto Nuevo
Cantoria de Viola
Caporales
Carnaval Cruceno
Carnavalito
Catira
Chacarera
Chachacha
Chamame
Chamarrita/Chimarrita
Chamego/Xamego
Champeta
Chanchada
Changuei
Charanga
Chaya
Chicha
Choro
Chouval Bwa
Chucu-Chucu
Chuntunqui
Chutney
Cielito
Cifra/Estilo
Ciranda
Clube da Esquina
Coco
Comback
Comedia Musical Argentina
Compuesto
Congas and Comparsas
Congos
Contradanza Cubana
Coros de Clave
Corrido
Cuarteto
Cueca
Cueca Boliviana and Cueca Nortena
Cueca Chilena
Cueca Cuyana
Cumbia
Dancehall
Dande
Danza
Danzante
Danzon
Danzonete
Decima
Diablada
Dobrado
Dub
Embolada
Fandango
Fandango (Brazil)
Festejo
Filin
Folclore (in Argentina)
Folguedo
Forro
Frevo
Funk Carioca and Musica Soul
Fusion (in Venezuela)
Gaga
Gaita (Colombia)
Gaita (Venezuela)
Galopa
Gato
Goombay
Guajira
Guaracha
Guarania
Guarimba
Gwoka Modenn
Habanera
Hatajo de Negritos
Hip-Hop (Introduction)
Hip-Hop in Bolivia
Hip-Hop in Brazil
Hip-Hop in Colombia
Hip-Hop in Cuba
Hip-Hop in Mexico
Hip-Hop in Puerto Rico
Huayno
Huella
Jing Ping
Jonkonnu
Jongo
Joropo
Jovem Guarda
Junkanoo
Kaluyo
Kaseko
Kawina
Konpa
Kumina
Kullawada
Lambada
Lando
Lapo Kabwit
Litoralena (Cancion Litoralena)
Loncomeo
Lundu
Mambo
Mangue
Mapale
Maracatu
Marcha (Marchinha) o
Marcha Camion
Marinera
Maxixe
Mazouk
Mento
Merecumbe
Merengue
Merengue Venezolano
Meringue (Mereng)
Milonga
Milonga (in Argentina )
Milonga (in Brazil)
Milongon
Miskitu Popular Music
Modinha
Morenada
MPB
Murga
Musica Caipira
Musica Costena
Musica de Capoeira
Musica de Carrilera
Musica de Marimba
Musica del Recuerdo
Musica Gauchesca/Musica Nativista
Musica Grupera
Musica Instrumental Brasileira
Musica Junina
Musica Montubia
Musica Rocolera
Musica Sertaneja
Musica Tropical
Nengon
Neofolklore (in Bolivia)
Neofolklore (in Chile)
Neofolklore (in Venezuela)
Nortec
Norteno
Nueve Cancion (International)
Nueva Cancion Chilena
Nuevo Cancionero (in Argentina)
Nuevo Cancionero (in Paraguay)
Nyabinghi
Onda Nueva
Pachanga
Pagode
Palo de Mayo
Palos
Panalivio
Paranda
Parang
Parranda
Parrandera
Partido Alto
Pasacalle
Pasillo
Payada (Decima)
Pindin
Plena
Polca Paraguaya
Porro
Pukkumina
Pumpin
Punta
Punta Rock
Punto Cubano
Quelbe
Racin
Ragga Soca
Rake-n-Scrape
Ranchera (Southern Cone)
Rancho
Rapso
Rara
Rasguido Doble
Reggae
Reggae en Espanol
Reggaeton
Ringbang
Ritmo Orquidea
Rock Andino
Rock in Brazil
Rock in Latin America
Rock Nacional
Rocksteady
Rumba
Salsa
Salsaton
Samba
Salves
Samba Cancao
Samba de Roda
Samba-Reggae
Sanjuanito
Saradunga
Saya
Seis
Seu
Shanto
Ska
Soca
Son
Son (in Mexico)
Son de los Diablos
Son de Pascua
Son Jarocho
Son Nica
Sones Guatemaltecos
Spouge
Steelband Music
Suripop
Surjapop
Swing Criollo
Takirari
Tambora
Tambu
Tamunangue
Tango
Teatro Danzante Cocolo
Tecnobrega
Tecnocumbia
Timba
Tinku
Toada
Tobas
Tonada Chilena
Tonada Cuyana
Tonada de Toros
Tonada Potosina
Tonada Tarijena
Tondero
Tore
Toril
Tropicalia
Tropipop
Trova
Tuk
Tumba
Twoubadou
Vallenato
Vals
Vaneira
Vanguarda Paulista
Vidala, Vidalita
Vodou Jazz
Vodou Music
Volcanto
Xaxado
Xote
Yaravi
Yumbo
Zamacueca
Zamba
Zapateo
Zouk
Index
