Acknowledgements
Notes on Contributors
List of Figures
Notes on Romanization
Introductory Chapter: Rethinking the Study of Exhibitions of Chinese Art - Ho Chui Fun, Selina
Part 1: Exhibitions of Art in China in the Early Twentieth Century
Chapter 1: Nagao Uzan and China's First Exhibitions of Chinese Paintings in Shanghai in 1908 - Ding Yuhua
Chapter 2: Beyond Elegant Gathering: Displaying Chinese Art and Antiquities in the Early Twentieth Century - Tu Anran
Chapter 3: Curating and Displaying Architecture: China Architectural Exhibition in Shanghai, 1936 - Zhang Xi
Chapter 4: Atavistic Culturalism and Contemporary Relevance: Modern Chinese Paintings in the Second National Arts Exhibition, 1937 - Zhao Xing
Part II: Cultural Politics of Exhibiting Chinese Art in Asia, from the 1950s onwards
Chapter 5: How Should I Put it Now? Positioning China in Exhibitions at the National Palace Museum, Taipei, 1965-2023 - Liu Yu-jen
Chapter 6: The Soft Power of "Cool": Exhibiting Chinese Art in Japan from the Post-War Period to the Twenty-First Century - Ng Ni Na Camellia
Chapter 7: Shifting Chinese-ness(es): The Exhibiting of Chao Shao-an's Paintings and the Chinese Community in 1950s Singapore - Wong Yuet Heng
Chapter 8: Transcultural Interpretations of Twentieth-Century Chinese Art: Exhibiting Wu Guanzhong in Hong Kong - Hua Shuo
Part III: Curating Chinese Art in the Twenty-First Century
Chapter 9: Curating Traditional Chinese Art as Creative Heritage - Ho Chui Fun, Selina
Chapter 10: Moving Images as Curatorial Methods: Animation, Digital Interactive Installation, and the Reincarnation of Traditional Chinese Art - Yang Panpan
Chapter 11: "Unframing" Chinese Paintings: Exploring Spatial Presence through X-Reality Technologies in Museums - Zhu Yi
Chapter 12: Curating Chinese Landscape Painting as Immersive Art: Intermedia and Gallery Film Approaches - Wang Bingxi, Cici
