This book examines the monumental mosaics that were created in Moscow during the Soviet era. While monumental mosaics became common in other Soviet cities and republics in the 1960s during the age of modernism, mosaics in the capital of the USSR were used for works in the art deco style and for 'pictures' in the socialist realist style. As a result, the entire history of Soviet art is reflected in Moscow's metro stations, palaces of culture, military museums, hospitals, schools, and prefabricated houses. Many important mosaics are now disappearing before our eyes - victims of destruction or dismantling. The majority are not listed under state protection, and the authors of many remain unknown.
This book is structured chronologically. Four sections (art deco, socialist realism, modernism, and postmodernism) show and describe 140 mosaics. The appendix lists 322 mosaics that have been identified in Moscow. The guide places well-known works by Alexander Deyneka, Pavel Korin, Boris Chernyshev, Evgeny Ablin, Yury Korolev, and Leonid Polishchuk side by side with mosaics by artists whose names were excluded from the history of art and architecture for a long time.
The idea for this book came from English photographer James Hill, who spent three years seeking out and photographing works of Soviet monumental art that have not received the attention they deserve in Russia and have often been regarded as propaganda in the post-Soviet period.
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Höhe: 24.5 cm
Breite: 13.5 cm
ISBN-13
978-3-86922-068-0 (9783869220680)
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Autor*in
James Hill is a British photographer and photojournalist. He is a graduate of Oxford University and London College of Printing. He worked in Russia from 1991, including for the New York Times from 1995 onwards. From 1998 he lived in Rome, from where he travelled to photograph wars launched by the USA in Afghanistan (2002) and Iraq (2003). Among the many awards he has received are the World Press Photo, the Pulitzer Prize, and the Visa d'Or at Visa Pour l'Image in Perpignan. His books of photographs include The Castle (2019), Somewhere Between War and Peace (2014), Victory Day (2013), and In Russias (2009).
ISNI: 0000 0000 5292 6949 GND: 1057901105
Anna Petrova is a culturologist, art critic, editor, graduate of Moscow State University, and candidate in philology. She has worked for Moscow House of Photography, the Shchusev Museum of Architecture, and the publisher Kulikovo Pole, and has curated the photography and contemporary-art exhibitions 'Long-distance shot. Photographers of Vladivostok' (2019) and 'Simple Equality = Internal Modernism' (2016). Her works include: Russky kostyum v fotografiyakh XX-XIX vv. ('Russian Costume in Photographs of the 19th-20th Centuries'; 2010), Moskovskoe metro. Arkhitekturny gid ('The Moscow Metro. An Architectural Guide'; 2018).
Evgeniya Kudelina is an art manager, archivist, and graduate of the Faculty of Philology at Moscow State University. She was assistant curator for exhibitions of French and Russian photographers in Moscow (Malleray Art Consulting) from 2004?-?2007 and worked for the editorial department of Multimedia Art Museum from 2005?-?2010. She coordinates exhibition, curatorial, theatre, and publishing projects for artist Oleg Kulik, including: 'I believe' (2007); 'Vespers for the Virgin Mary' (Théâtre du Châtelet, Paris, 2009); 'Oleg Kulik. The Mad Dog or Last Taboo Guarded by Cerberus Alone' (2012).
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Anna Bronovitskaya is a candidate in art history and research director at the Institute of Modernism. She is a teacher at Moscow Architecture School and taught at Moscow Architecture Institute from 1992?-?2016. She edited the journals Project Russia and Project International from 2004?-?2014. She teaches twentieth-century architecture at the Garage Museum of Contemporary Art. Her writing includes: Arkhitektura Moskvy, 1920?-?1960 ('Architecture of Moscow, 1920-1960'; 2006), Moskva: arkhitektura sovetskogo modernizma. 1955-1991. Spravochnik-putevoditel ('Moscow: The Architecture of Soviet Modernism. 1955-1991. Reference book'; 2016).