This book seeks to establish the meaning of design research, its role in the field, and the characteristics that differentiate research in design from research in other fields.
The author introduces a model to explain the relationship between the components of the ontological reality of design: the designed object, the designer, and the user. Addressing design research across disciplines, the author establishes a foundational understanding of research, and research paradigms, for the design disciplines. This will be crucial for the emerging field of design research to find its own identity and move forward, building its own knowledge base as it finds its positioning between science and art.
The book will be of interest to scholars working in design history, design studies, graphic design, industrial design, interior design, architecture, fashion design, and service design.
Reihe
Sprache
Verlagsort
Verlagsgruppe
Zielgruppe
Für höhere Schule und Studium
Illustrationen
11 s/w Photographien bzw. Rasterbilder, 9 s/w Zeichnungen, 1 s/w Tabelle
1 Tables, black and white; 9 Line drawings, black and white; 11 Halftones, black and white
Maße
Höhe: 246 mm
Breite: 174 mm
Dicke: 10 mm
Gewicht
ISBN-13
978-0-367-90120-2 (9780367901202)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Miguel Angel Herrera Batista is a research-professor at the School of Science and Arts of Design at the Universidad Autonoma Metropolitana.
Introduction 1. Design Research: A First Approach to the Problem 2. Design and its Ontological Reality: Defining the Problem 3. The User in the Ontological Reality of Design 4. The Designer 5. The Designed Object 6. The Components of the Ontological Reality of Design and the Relationships Between Them 7. Frame and Context: Preparatory Phase for Research 8. Paradigms, Pragmatism and Design Research Conclusions
