This book gathers international voices from the field of ethnomusicology discussing the socio-political relevance of the discipline. The articles draw from contemporary discourses that take into account the role of music and dance in shaping social and political realities. An important field connected to political relevance is heritage, either in connection with the UNESCO or with archives. Ontologies of indigenous groups and their relevance in knowledge production is discussed in ethnomusicology nowadays as well as the possibilities of decolonising the discipline. Two articles from ethno-choreology explore dance from the gender perspective and in the post-socialist political structures. Different approaches from applied ethnomusicology deal with social justice, participatory dialogical practice, and the socio-political relevance of performance. Forced migration is seen as comprehensive topic for future ethnomusicology. The contents of the book mirror influential discourses of ethnomusicology today that will definitely shape the future development of the discipline.
Reihe
Reihe des Instituts für Volksmusikforschung und Ethnomusikologie an der Universität für Musik und darstellende Kunst Wien / Series of the Department of Folk Music Research and Ethnomusicology at the University of Music and Performing Arts Vienna
001
Sprache
Verlagsort
Verlagsgruppe
Illustrationen
Maße
Höhe: 24.5 cm
Breite: 17.5 cm
Dicke: 2.5 cm
Gewicht
ISBN-13
978-3-205-23286-5 (9783205232865)
Schweitzer Klassifikation
Herausgeber*in
Ursula Hemetek ist Professorin für Ethnomusikologie, Leiterin des Instituts für Volksmusikforschung und Ethnomusikologie der mdw und seit 2017 Generalsekretärin des ICTM (International Council for Traditional Music).
Hande Saglam ist Ethnomusikologin und Archivleiterin am Institut für Volksmusikforschung und Ethnomusikologie an der mdw. Forschungsschwerpunkte: Âsık-Tradition in Anatolien, Musik aus der Türkei, Minderheitenmusik, Bi-Musikalität und Transkulturellen Musikvermittlungsmethoden.