Lindsay Gordon Anderson was an important figure in the post-war period for British film culture, first as a critic in journals such as "Sequence" and "Sight and Sound", and then as a director of documentary, as well as feature films. This text traces Anderson's aesthetics, from the early writings in "Sequence", through his engagement in the "Free Cinema" movement and the British New Wave of the early 1960s, particularly his adaption of "This Sporting Life". It explores Anderson's entire output to explore how he contributed to a broadening of film narrative in Britain towards more radical forms.
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Verlagsgruppe
Bloomsbury Publishing PLC
Zielgruppe
Für höhere Schule und Studium
Für Beruf und Forschung
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Maße
Höhe: 216 mm
Breite: 135 mm
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ISBN-13
978-0-304-33605-0 (9780304336050)
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Schweitzer Klassifikation
The life and legend of a film maker; "Sequence" - film in the aura of art; "Sight and Sound" - film in the social realm; towards an art cinema aesthetic - "Free Cinema" and "This Sporting Life"; "The White Bus" and epic satire; "If" - romance in a Brechtian tradition; "O Lucky Man!" - delusion, illusion and allusion; "The Old Crowd" - a film epic that never was; "Britannia Hospital" - the aesthetics of the oppressed; final works - "Is That All There Is?"; afterword - Lindsay Anderson and his legacy to British cinema.