Beyond the principles of reduce, reuse, recycle, this book looks at how every department on a production can minimize its environmental impact.
Is your filmmaking contributing to the environmental crisis, or is it part of the solution? How can film students make movies in a more ecologically friendly way so that our planet can continue to be inhabited by humans who watch their films? This book suggests step-by-step ways that each person and department on a film's production can make simple changes to reduce their project's environmental footprint, from including climate content to offering vegetarian craft service options.
It is an essential guide for film students, graduates, and professionals engaged in the practice of making movies.
Sprache
Verlagsort
Verlagsgruppe
Zielgruppe
Für höhere Schule und Studium
Für Beruf und Forschung
Postgraduate, Professional Practice & Development, and Undergraduate Advanced
Illustrationen
24 s/w Abbildungen, 24 s/w Photographien bzw. Rasterbilder
24 Halftones, black and white; 24 Illustrations, black and white
Maße
Höhe: 234 mm
Breite: 156 mm
Dicke: 11 mm
Gewicht
ISBN-13
978-1-032-54562-2 (9781032545622)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Kent Hayward is a filmmaker, Associate Professor of Production at California State University Long Beach, and a cofounder and vice-Chair of the Green Film School Alliance, a consortium committed to integrating sustainable production practices into film school programs. Previously, Hayward worked in visual effects and editorial on films including The Dark Knight, Inception, and Terminator 3: Rise of the Machines, and on TV shows for NBC Universal, SyFy, and Lifetime. Hayward's films include Lunar Estates, August, Sunset to Sunset, and Homestead Artifact. He earned his BA at the University of Wisconsin-Madison and his MFA at the California Institute of the Arts. Currently, Hayward is working on an essay film on themes ranging from the environmental havoc that humankind has wreaked on the planet to the enduring mystery of Bigfoot.
Preface; Introduction ; Acknowledgements; About the Cover/Illustrator; Chapter 1: The History and Context of Green Filmmaking; Chapter 2: Intersections and Production; Chapter 3: Why be Green?; Chapter 4: How To Film Green- By Department; Chapter 5: Documentary; Chapter 6: Content, Development, and Climate Storytelling; Chapter 7: Pre-Production: The Plan; Chapter 8: The Production Department; Chapter 9: Production Design, Art, Construction, Props, Set Decoration; Chapter 10: Camera, Grip, and Electric; Chapter 11: Actors, Talent, and Casting; Chapter 12: Food: Catering and Craft Services; Chapter 13: Wardrobe, Hair, and Makeup; Chapter 14: Transportation; Chapter 15: Effects; Chapter 16: Sustainable Sound Practices in Film Production; Chapter 17: Editorial aka: Post-production; Chapter 18: Wrap; Chapter 19: Green Filmmaking Case Studies & Jobs; Chapter 20: Looking to the Future; Appendices
