First published in 1983, Shiguehiko Hasumi's Directed by Yasujiro Ozu has become one of the most influential books on cinema written in Japanese. This pioneering translation brings Hasumi's landmark work to an English-speaking public for the first time, inviting a new readership to engage with this astutely observed, deeply moving meditation on the oeuvre of one of the giants of world cinema. Complemented by a critical introduction from acclaimed film scholar Aaron Gerow and rendered fluidly in Ryan Cook's agile translation, this volume will grace the shelves of cinephiles for many years to come.
Rezensionen / Stimmen
"For those of us who don't read kanji, or who struggle to make their way through Hasumi 's sentences, whose length rivals Proust or Henry James, this meticulous and precise version, in direct contact with the text, with a side, a maverick supplement, will be a landmark." * East Asia * "Hasumi's Directed by Yasujiro Ozu is a distinctive view of a much- discussed director, making this an overdue but very timely and welcome publication." * Cineaste * "Although Shiguehiko Hasumi is among the world's great critics and philosophers of cinema, his writings are strangely hard to come by in the Anglosphere. This makes the University of California Press publication of his Directed by Yasujiro Ozu, translated by Ryan Cook and deftly contextualized in an introduction by Aaron Gerow, a publishing event of immense proportions. . . .It is sure to change standard Anglophone interpretations of this central figure in the history of cinema." * Gagosian Quarterly * "Highly recommended." * CHOICE * "The English that [Ryan Cook] has produced is extremely readable and elegant, the claims and arguments cogent . . . .It is a boon to have this important book finally available in English." * The Year's Work in Critical and Cultural Theory * "Not only for its insightful, inventive, and instructive positions on Ozu's films, but as a general framework for approaching any text, this English translation of Hasumi's writing introduces a revitalising perspective, which serves as an antidote to a critical landscape littered with hopelessly abstracted writing, ensnared within thickets of endlessly iterative conceptual constructs." * Alphaville Journal *
Auflage
Sprache
Verlagsort
Zielgruppe
Produkt-Hinweis
Illustrationen
Maße
Höhe: 235 mm
Breite: 161 mm
Dicke: 28 mm
Gewicht
ISBN-13
978-0-520-39671-5 (9780520396715)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Shiguehiko Hasumi (1936-) is a film and literary critic and scholar. He received his doctorate from the University of Paris, Sorbonne, and was the twenty-sixth president of the University of Tokyo (1997-2001). He has received numerous awards, including the Yomiuri Bungaku Award for Anti-Nihongoron (Han-Nihongoron, 1977), the Geijutsu Sensho Award for Portrait of a Mediocre Artist: On Maxime Du Camp (Bon?yo na geijutsuka no shozo: Makushimu Dyu Kan-ron, 1988), and L'Ordre des Arts et des Lettres Commandeur from the French Ministry of Culture (1999). His many other works include Lectures on Hollywood Film History (Hariuddo eigashi kogi, 1993), Godard, Manet, Foucault (Godaru, Mane, Fuko, 2008), On Madame Bovary (Bovari fujin-ron, 2014), What Is a Shot? (Shotto to wa nani ka, 2022), and On John Ford (Jon Fodo-ron, 2022), all untranslated. Hasumi's productive relationships with influential filmmakers including Jean-Luc Godard, Francois Truffaut, Manoel de Oliveira, Theo Angelopoulos, Wim Wenders, Hou Hsiao-hsien, Edward Yang, Pedro Costa, Leos Carax, Kiyoshi Kurosawa, Shinji Aoyama, and Ryusuke Hamaguchi are well documented.
Aaron Gerow is A. Whitney Griswold Professor of East Asian Languages and Literatures, and of Film and Media Studies, at Yale University. He is the author of Visions of Japanese Modernity: Articulations of Cinema, Nation, and Spectatorship, 1895-1925.
Ryan Cook is a film scholar, translator, and librarian. He completed a PhD in Japanese film history at Yale University and has taught at Yale, Harvard, and Emory University.
Autor*in
Einführung von
Übersetzung
Contents
List of Illustrations
Translator's Introduction: Directed by Shiguehiko Hasumi
RYAN COOK
Critical Introduction: Shiguehiko Hasumi and Viewing
Film Studies Anew
AARON GEROW
Prologue: The Rules of the Game
1. Negating
2. Eating
3. Changing Clothes
4. Inhabiting
5. Looking
6. Holding Still
7. Radiating
8. Getting Angry
9. Laughing
10. Being Surprised
Conclusion: Pleasure and Cruelty
Appendix: Interview with Yu? haru Atsuta
Index
About the Author
About the Translator and Contributor