For centuries, Chinese critics have acclaimed Du Fu (712-770) as "China's greatest poet." He has exerted tremendous influence both as a model poet and as a cultural icon. In The Reception of Du Fu (712-770) and His Poetry in Imperial China, Ji Hao provides modern readers with a general picture of the reception of Du Fu and his work from the Song to the Qing. He also explores major shifts in interpretive approaches to Du Fu's poetry and their poetic and cultural implications.
Through the case of reading Du Fu, the book also offers an in-depth examination of subtleties of the mode of life reading and the concept of transparency. This exploration seeks to provide a new orientation to the significance of the overarching principles of reading poetry in traditional China.
Rezensionen / Stimmen
"The Reception of Du Fu is a very informative and thought-provoking study. It gives us detailed and lively information about different kinds of reception, not only of Du Fu, but also about traditional Chinese modes of interpretation, which last till our times." - Monika Motsch, Friedrich-Alexander-Universitaet Erlangen-Nuernberg, in: Monumenta Serica, 66:1 (2018)
Reihe
Sprache
Verlagsort
Zielgruppe
Produkt-Hinweis
Fadenheftung
Gewebe-Einband
Maße
Höhe: 244 mm
Breite: 162 mm
Dicke: 20 mm
Gewicht
ISBN-13
978-90-04-34104-3 (9789004341043)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Ji Hao, PhD (2012), University of Minnesota (Twin Cities), is Assistant Professor of Chinese at the College of the Holy Cross. He has published several articles on Du Fu and on the sixteenth-century Chinese novel Xiyou ji.
Acknowledgments
List of Figures
List of Contributors
Introduction
Part 1: Early Netherlandish Painting and Prints
1 Strategies of Intimacy: Memling's Triptych of Adriaan Reins
?Lynn F. Jacobs
2 Those Who Are Bashful Starve: An Interpretation of the Master of the Brunswick Diptych's Holy Family at Meal
?Henry Luttikhuizen
3 Hugo van der Goes and Portraiture
?Maryan W. Ainsworth
4 The Besieged War-Elephant: A Boschian Moralized Antiwar Discourse
?Yona Pinson
5 The Overpainted Patron: Some Considerations about Dating Bosch's Last Judgment Triptych in Vienna
?Erwin Pokorny
Part 2 Sixteenth-Century Netherlandish Painting
6 The Red Jew, Red Altarpiece and Jewish Iconography in Jan de Beer's St. Joseph and the Suitors
?Dan Ewing
7 "Headlong" into Pieter Bruegel's Series of the Seasons
?Reindert L. Falkenburg
8 Better Living Through Misinterpretation
?Bret Rothstein
9 The Last Supper with Donors in the Chrysler Museum Collection
?Lloyd DeWitt
10 Michiel Coxcie's Artistic Quotations in The Death of Abel
?Christopher D. M. Atkins
Part 3 Manuscripts, Patrons, and Printed Books
11 Veronica's Textile
?Herbert L. Kessler
12 It's February in the Early Fifteenth Century: What's for Dinner?
?Harry Rand
13 Oratio ad Proprium Angelum: The Guardian Angel in the Rothschild Hours
?Dagmar Eichberger
14 Chinese Painting and Dutch Book Arts: The Challenges of Cross-Cultural Interpretation
?Dawn Odell
15 Kinesis and Death in Lautensack
?Christopher P. Heuer*
16 Virgil's Flute: the Art and Science of "Antique Letters" and the Origins of Knowledge
?Andrew Morrall
17 Born to Teach: Nikolaus Glockendon's Finding of Jesus in the Temple
?Debra Taylor Cashion
18 Nicolaes Witsen's Collection, his Influence, and the Primacy of the Image
?Rebecca P. Brienen
Part 4 Duerer and the Power of Pictures
19 Duerer's Rhinoceros Underway: the Epistemology of the Copy in the Early Modern Print
?Stephanie Leitch
20 Praying against Pox: New Reflections on Duerer's Jabach Altarpiece
?Birgit Ulrike Muench
21 The Weird Sisters of Hans Baldung Grien
?Bonnie Noble
22 Preserving Destruction: Albrecht Altdorfer's Etchings of the Regensburg Synagogue as Material Performances of the Past and Future
?Ashley D. West
23 The Case of the Missing Gold Disc: A Crucifixion by Albrecht Duerer
?Miya Tokumitsu
24 Hitler's Duerer? The Nuremberg Painter between Self-Portrayal and National Appropriation
?Thomas Schauerte
25 Performing Duerer: Staging the Artist in the Nineteenth Century
?Jeffrey Chipps Smith
Part 5 Prints and Printmaking
26 The Burin, the Blade, and the Paper's Edge: Early Sixteenth-Century Engraved Scabbard Designs by Monogrammist AC
?Brooks Rich
27 "Return to Your True Self!" Practicing Spiritual Therapy with the Spiegel der Vernunft in Munich
?Mitchell B. Merback
28 The Eucharistic Controversy and Daniel Hopfer's Tabernacle for the Holy Sacrament
?Freyda Spira
29 Recalibrating Witchcraft through Recycling and Collage: The Case of a Late Seventeenth-Century Anonymous Print
?Charles Zika
30 The Timeless Space of Maerten van Heemskerck's Panoramas: Viewing Ruth and Boaz (1550)
?Arthur DiFuria
31 Hendrick Goltzius's Method of Exegetical Allegory in his Scriptural Prints of the 1570s
?Walter S. Melion
32 Narrative, Ornament, and Politics in Maerten van Heemskerck's Story of Esther (1564)
?Shelley Perlove
33 Disgust and Desire: Responses to Rembrandt's Nudes
?Stephanie S. Dickey
Part 6 Seventeenth-Century Painting
34 A New Painting by Dirck van Baburen
?Wayne Franits
35 "Verbum Domini manet in eternum": Devotional Cabinets and Kunst- und Wunderkammern around 1600
?James Clifton
36 Creating Attributability with the Five Senses of Jan Brueghel the Younger
?Hans J. Van Miegroet
37 Pieter Lastman's Paintings of David's Death Sentence for Uriah, 1611 and 1619
?Amy Golahny
38 Thomas de Keyser's Venus Lamenting the Death of Adonis
?Ann Jensen Adams
39 On Painting the Unfathomable: Rubens and The Banquet of Tereus
?Aneta Georgievska-Shine
40 Jan Miense Molenaer's Boys with Dwarfs and the Heroic Tradition of Art
?David A. Levine
41 Is it a Rembrandt?
?Catherine B. Scallen
42 Pieter Codde and the Industry of Copies in 17th-century Dutch Painting
?Jochai Rosen
Appendix: Larry Silver Bibliography
Index
