A dazzling exploration of the global intersections of beauty and power
'Fascinating' NIGELLA LAWSON
'Awe-inspiring' FUNMI FETTO
'A treat to read' KASSIA ST CLAIR
A Sunday Times Style Barometer and New York Times Book Review Editors' Choice
For centuries, humans have been drawn to lining our eyes. The aesthetic trademark of icons from Nefertiti to Amy Winehouse, eyeliner is one of our most enduring cosmetic tools: ancient royals and Gen Z influencers alike have harnessed its power.
Through Zahra Hankir's kohl-lined eyes, this ubiquitous product becomes proof of the stunning variety among cultures across time and space. By way of intimate conversations - with Chadian nomads, Japanese geisha, Indian dancers, New York's drag queens and more - Eyeliner embraces the profound significance of its namesake, especially among communities of colour.
Eyeliner is a delightful and unexpectedly moving journey through streets and stages around the world, and a stirring reclamation of a key piece of our collective history.
'A smoky-eye lover's paradise' NEW YORK TIMES
'Hankir delves into the political contexts that inform our make-up choices' DAZED
'A beautifully written deep dive' GLAMOUR
Featuring stunning portrait illustrations by Mercedes deBellard
Rezensionen / Stimmen
Cosmetic, tool of rebellion, status signifier: Eyeliner has been all these and more. Moving through millenniums and across civilizations, Hankir gives the makeup its eye-opening due * New York Times Book Review * A beautifully written deep dive into something that so many of us use on a daily basis with little to no thought. You will never use an eyeliner in the same way again * Glamour * Hankir makes a compelling case that, far from an inconsequential vanity, eyeliner is not just about beautification but protection, and even politics, for men and women across the world and through the ages * New Statesman * Fascinating . . . In my line of business (being Miss Universe), eyeliner is more than an item in a makeup kit-it's part of an artistic palette. This simple tool gives us the power to command a room, to make a personality statement, and to change our entire look on a whim. As Zahra Hankir shows, none of this is new or even modern, but has been part of a legacy of powerful women for millennia -- Sheynnis Palacio, Miss Universe 2023 * CNN's Best Books of 2023 * A beautiful read, a thought-provoking one, and, unlike many history books - endlessly entertaining * Bad Form, Hardback of the Month * An interesting perspective on a seldom-explored area of cultural history... thought-provoking * i * Engrossing... Hankir's history lessons are peppered with cultural references and good humor. The book is a smoky-eye lover's paradise -- Cat Marnell * New York Times Book Review * Who knew the humble eyeliner could offer up so much? Hankir's beautiful writing style and incredible attention to detail mean that even those with zero interest in makeup will find this book awe-inspiring and fascinating as it goes far beyond the realms of beauty. -- Funmi Fetto, author of PALETTE, Contributing Beauty Editor at British Vogue and Beauty Director at the Observer Hankir delves into the political contexts that inform our make-up choices... Eyeliner is a comprehensive account of how this age-old medium became a means for connection, communication and rebellion * Dazed * I loved Eyeliner. Hankir approaches her subject with dedicated curiosity, humility and humour, blending anthropology, travel, memoir and history. A treat to read and - of course - beautifully eye-opening. -- Kassia St Clair, author of THE SECRET LIVES OF COLOUR
Sprache
Verlagsort
Verlagsgruppe
Zielgruppe
Für höhere Schule und Studium
Für Beruf und Forschung
Produkt-Hinweis
Maße
Höhe: 195 mm
Breite: 128 mm
Dicke: 26 mm
Gewicht
ISBN-13
978-1-5299-2064-2 (9781529920642)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Zahra Hankir, a Lebanese British journalist and the editor of Our Women on the Ground, writes about the intersection of politics, culture and society. Her work has appeared in publications including Conde Nast Traveller, the Observer, Times Literary Supplement, BBC News, Al Jazeera English, Bloomberg Businessweek, the Los Angeles Times, and The Rumpus. She was awarded a Jack R. Howard Fellowship in International Journalism to attend the Columbia Journalism School and holds degrees in politics and Middle Eastern studies.
@zahrahankir, zahrahankir.com