In this broad cultural survey, James Hall brilliantly maps the history of self-portraiture, from the earliest myths of Narcissus and the Christian tradition of 'bearing witness' to the prolific self-image-making of today's contemporary artists. Along the way he reveals the importance of the medieval 'mirror craze'; the confessional self-portraits of Titian and Michelangelo; the role of biography for serial self-portraitists such as Courbet and van Gogh; themes of sex and genius in works by Munch and Bonnard; and the latest developments in our globalized age. Hall covers the full range of self-portraits, from comic and caricature self-portraits to 'invented' or imaginary ones, and looks deeply into the worlds and mindsets of the artists who have created them. Offering a rich and lively history, this is an essential read for all those interested in this most enduringly popular and humane of art forms.
Rezensionen / Stimmen
'Wide-ranging, richly researched and evocatively illustrated ... It is as varied, revelatory and idiosyncratic as the genre which it takes as its subject' - The Times 'Fascinating, erudite and beautifully produced' - Sunday Times 'Enthralling ... Scattering insights on all sides, Hall's narrative advances through the centuries with masterly vigour' - Observer 'Stimulating ... Hall writes with energetic freshness ... a highly engaged book that raises many questions about this intriguing and still-active genre. It deserves to be widely read' - Literary Review 'Spirited ... the book's readability and the depth of research give it an engaging pace that makes it especially refreshing' - The Art Newspaper 'There is never a dull passage in this book ... Hall manages to retain the intellectual high ground while writing with verve and enthusiasm ' - Frances Spalding, Guardian 'Lively ... Hall's range of reference is polymathic and his writing often pithy' - Daily Telegraph 'A stimulating and demanding book that requires an equally serious engagement from any reader ... There's no questioning the scholarship that lies behind this book' - The Spectator 'Hall's boundless curiosity explodes in all directions from the relatively few pages he has been allocated. Mostly we want more: more detail, more explanation and many more pictures. Given that this is a chunky and well-illustrated volume, that is meant as high praise' - Andrew Marr, New Statesman 'Hall's writing is not only accessible for a general audience, but filled with notable insights, including spicy, prurient ones' - The Daily Beast 'A graceful, sure-footed exposition, both authoritative and entertaining, of a long thread in cultural history ... I was hooked' - Carcassone 'A textured biography of the genre, where familiar works cohabit easily with esoteric ones, veined by richly-detailed, penetrating observations' - Sunday Business Post 'Exceptionally rich in detail' - Good Book Guide 'Detailed and informative ... a serious and scholarly work that nevertheless retains the reader's interest and attention and is generously and thoughtfully illustrated' - Art Book Review 'Beautifully designed ... (Hall) delivers original and engaging interpretations' - RA Magazine
Sprache
Verlagsort
Produkt-Hinweis
Broschur/Paperback
Klebebindung
Illustrationen
11 Illustrations, black and white; 109 Illustrations, color
Maße
Höhe: 228 mm
Breite: 151 mm
Dicke: 30 mm
Gewicht
ISBN-13
978-0-500-29211-2 (9780500292112)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
James Hall is an art critic, historian, lecturer and broadcaster. He was formerly Chief Art Critic of The Sunday Correspondent and of the Guardian. He contributes to the Guardian Saturday Review, The Times and Times Literary Supplement, as well as to many magazines and catalogues. He is the author of several books including The Self-Portrait: A Cultural History (Thames & Hudson, 2014), which the Sunday Times hailed as 'fascinating, erudite and beautifully produced'.
Introduction * Prelude: Self-Portraiture in Antiquity * 1. Medieval Origins * 2. A Craze for Mirrors * 3. The Artist in Society * 4. The Renaissance Artist as Hero * 5. Mock- Heroic Self-Portraits * 6. The Artist's Studio * 7. At the Crossroads * 8. Coming Home: Into the Nineteenth Century * 9. Sex and Genius * 10. Beyond the Face: Modern and Contemporary Self-Portraits
