Seminal Works brings together Hal Fischer's iconic series Gay Semiotics with his rarely seen early photography and features a dynamic range of essays that consider queer culture and social change in San Francisco.
In the late 1970s, as gay men in San Francisco experienced a new sense of freedom following the Stonewall Uprising, Hal Fischer made Gay Semiotics, a photo-text project that categorized denizens of the Castro and Haight-Ashbury neighborhoods by social type such as the "jock" or the "hippie." Sly and systematic, Fischer portrayed the sartorial codes of queer street style-earrings, handkerchiefs, jeans, or leather-that broadcast a range of desires to potential sexual prospects. The series became an influential record of a libertine era before AIDS, the rise of internet dating apps, and tech industry-accelerated gentrification transformed queer life forever. Tracing the formation of an essential American artist, Hal Fischer: Seminal Works includes Gay Semiotics together with Fischer's rarely seen early photography and features essays that offer vital new perspectives on the history of San Francisco and the resonance of the gay rights movement across generations.
Sprache
Verlagsort
Produkt-Hinweis
Fadenheftung
Gewebe-Einband
Illustrationen
100 black-and-white images
Maße
Höhe: 245 mm
Breite: 285 mm
Dicke: 25 mm
ISBN-13
978-1-59711-595-7 (9781597115957)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Hal Fischer (born in Kansas City, Missouri, 1950) is an artist, art critic, and museum professional. Fischer's work has been presented in solo and group exhibitions and is featured in both public and private collections, including the Museum of Modern Art, New York. His books include Gay Semiotics (1978) and The Gay Seventies (2019).
Jarrett Earnest is a writer and curator. His books include What It Means to Write About Art: Interviews with Art Critics (2018) and Valid Until Sunset (2023).
Evan Moffitt is a writer, journalist, and critic based in London. He is the former senior editor of Frieze, and his writing has appeared in Aperture, Architectural Digest, Artforum, Art in America, ArtReview, Financial Times, The Guardian, and The New York Times.
Eugenie Brinkema is professor of contemporary literature and media at the Massachusetts Institute of Technology, Cambridge.
Joao Florencio is professor of gender studies and chair of sex media and sex cultures at Linkoeping University, Sweden.
Maryam Kashani is associate professor of gender and women's studies and Asian American studies at the University of Illinois Urbana-Champaign.
Terri Weissman teaches modern and contemporary art history, the history of photography, and the history of design at the University of Illinois Urbana-Champaign, where she is director of graduate studies, School of Art and Design.
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