The Independent Actor presents a 21st-century training route achievable by self-curated learning for actors of all skill levels.
This book rejects a purist approach to actor training, challenges traditional acting styles and disregards the embedded elitist notions of Western-training methods at the top of the hierarchy. Instead, it takes a contemporary, self-focused approach to learning and applying acting skills.
Through doing so, the book is the first to validate a self-curated approach to actor training. Designed as a companion to practical experience and useful as a reference sourcebook, it takes the position that each individual actor must find their own process.
Skills for theatre, screen and voice-recorded media are all embraced through practical tasks with signposts to essential reading and specific resources. Designed equally for the untrained actor as a companion and an aide-memoire for the professionally trained actor, this book sheds light on the practical skills required and how to access, practise and accomplish them.
Rezensionen / Stimmen
This book is very encouraging of actors wanting to sustain in the industry it reads as a huge hug and pat on the back actors, a book of warmth and encouragement whilst simultaneously being mindful to not ignore the realities of the industry. * Adelle Hulsmeier, Senior Lecturer for Performing Arts and Programme Leader for Screen Performance, University of Sunderland, UK *
Sprache
Verlagsort
Verlagsgruppe
Bloomsbury Publishing PLC
Zielgruppe
Für höhere Schule und Studium
Für Beruf und Forschung
Maße
Höhe: 139 mm
Breite: 216 mm
Dicke: 14 mm
Gewicht
ISBN-13
978-1-350-27261-3 (9781350272613)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Sally Ann Gritton (MA, PGCLTHE, FHEA, FRSA) is the Principal of Mountview, UK. With over 20 years' experience training actors for stage, screen, musical theatre and recorded media, she previously worked as an actor, theatre director and was Artistic Director of Sorted Productions.
AUTHOR
PREFACE
FOREWORD
ACKNOWLEDGEMENTS
1. TRAINING
o Drama School
o A Self-Led Approach
o Learning
o Embracing Technology
2. WELLBEING
o Holistic Approach
o Change
o Fear
o Calm
3. CREATIVITY
o Dreaming
o Multi-Hyphenated Artists
4. PROCESS
o Preparation
o Rehearsal
o Performance
5. IMAGINATION
o Play
o Spontaneity
o Storytelling
6. CONNECTION
o Listening
o Energy
o Endowment
7. CONTEXT
o World of the play
o Research
8. TEXT
o Structure and Style
o Breaking it down
o Using text
o Subtext
9. CHARACTER
o Traits
o Timelines
o Transformation
10. VOICE
o Freedom
o Flexibility
o Repetition
o Vocal Health
11. MOVEMENT
o Physical training
o Presence
o Applied skills
12. SPACE
o Mis en Scene
o Proxemics
o Audience
13. PRACTICE AND BEYOND
14. EXERCISES FOR A SELF-LED ACTOR
15. RESOURCES
INDEX
