El actual cine poetico hispanoamericano e ibero-peninsular

Este libro busca contribuir al impulso del estudio del actual cine poetico hispanoamericano e ibero-peninsular, analizando aquellos modos contra-narrativos que enfatizan las particularidades formales del medio audiovisual, a la vez que rebajan el desarrollo del contenido --desplazando la accion fuera de plano. El presente libro parte asimismo de la premisa que la modernidad cinematografica constituye el marco de referencia teorico-artistico al que muchos directores de cine poetico recurren para elaborar sus propuestas filmicas. Por ello, se propone tambien analizar las estrategias de composicion vinculadas a la tradicion cinematografica de la modernidad que han sido criticamente reexaminadas en las peliculas producidas en el ambito hispanoamericano e ibero-peninsular durante las primeras dos decadas del siglo XXI.




This book explores the shared approach to Spanish and Latin American filmmakers with experimental film practices and strategies of composition and links these to a tradition of cinematic modernity that is being critically re-assessed by these filmmakers. By adopting a decidedly transnational perspective, the author investigates the distinctive elements of contemporary poetic cinematographic productions that shape present-day Hispanic art house cinematic productions. Thus, the book reassesses the notion of poetic cinema as an interstitial film practice. The author first examines the multiple meanings that the notion of poetry in cinema has historically had. Second, she explores how Hispanic cinema inherited the artistic principles of European cinematic modernity, blending them with the Latin American cinematographic tradition of neorealist influence.