How do we convey felt, intimate encounters between people, shared objects, spaces, and atmospheres? How do we inquire of moments that make themselves felt with the sparest of signs, in flashing glances and gestures; the felt feeling of relations in which unfamiliar forms take shape? Just how might we set about writing sensation?
Writing Sensation: Sense, Events, and Encounters with Creative-Relational Inquiry takes on these questions with creativity, speculation, and invention. This book illuminates the 'creative-relational' as a poietic and transversal concept of an inquiry capable of attending to the way events throw themselves together, and how forms take shape in the interplay of difference. Engaging with postfoundational and postqualitative approaches to inquiry, Writing Sensation offers readers both engaging, creative, and affirmative readings of scholars such as Gilles Deleuze, Felix Guattari, Erin Manning, and Brian Massumi, and enactments of how one may write the immanent moment of emergent circumstances. This book challenges traditional research methods and analysis and offers an approach to writing the sense of an unfolding world that is creative, relational, elusive, and profoundly real.
Writing Sensation will be of interest to scholars, practitioners, and students of transdisciplinary and experimental research, post-structural and immanent philosophies, and postfoundational, postqualitative, and creative-relational approaches to inquiry. This book offers a creative and singular engagement with qualitative inquiry, urging a radical openness to the subtle, shifting worlds that unfold in our relational encounters.
Rezensionen / Stimmen
"A thought experiment both dazzling and dizzying." -- Lisa A. Mazzei, Alumni Faculty Professor of Education, University of Oregon, USA
"Writing Sensation is not a book you have encountered before, which I mean as heartfelt praise: it is fresh, energetic, provocative. It surprises, entertains, stimulates, transports. You open it - somewhere: for me it was at its notional beginning but there are other ways in too - and you find yourself enveloped. Captivated. Captive, even. I wouldn't want it any other way. This is a rare text, one you do not want to leave or let go of. Its theoretical scope and depth are extraordinary. Its lyrical, poetic moments elicit joy. Its textual playfulness is a delight, the fluency of the writing enviable. Andrew Gillott has achieved, and given to us, something special here." -- Jonathan G. Wyatt, Professor of Qualitative Inquiry and co-director of the Centre for Creative-Relational Inquiry, The University of Edinburgh, UK
"For those who are drawn by the adventurings and ensuing excitements of working in, with and around the more than simply human proclivities, eruptions and encountering of post foundational, speculative and expressive inquiry, Andrew M. Gillott's wonderful book, Writing Sensation, offers a lively, challenging and hugely erudite inducement to potential readers not to hesitate or tentatively test the waters of creative, relational inquiry but, instead, to animate bodyings that hurls thought and feeling into the deep end of immediating, immersive, and immanent doings of experiencing. Engaging fluently and in critically affirmative ways with the work of Deleuze, Guattari, Massumi, Manning, and many others, the richness of its text insists that this a book that needs to be carried, often dipped into and always spontaneously read. Following the energy of its (non)methodological impulses, this is a book that welcomes, then promotes (in)attentions, (in)decipherabilities, (un)intelligibilities and approaches to inquiry that are attuned to the subtleties of nuanced atmospheric change, sensitive to the barely perceptible presencings of affect and responsive to the exciting possibilities of the always not yet known. It is a book that reaches out to be read, not simply with the eyes; reading Writing Sensation will energise clarities, insights and an irresistible forcefulness to vision." -- Ken Gale, University of Plymouth, UK
"Writing Sensation: Sense, Events and Encounters with Creative-Relational Inquiry is SENSATION - AL! Reading this book is time spent dwelling in vivid sensations, strange and intimate events, and bleeding encounters. This is a reading-feeling-thinking-writing that lives, breathes, moves and plays. It must be read like a swimmer on the move. It must be read slantwise. It must be read for the unthinkable thoughts that it event-ually makes happen. And because the writing is beautiful." -- Fiona A. Murray, Senior Lecturer in Counselling, Psychotherapy and Applied Social Sciences and co-director of the Centre for Creative-Relational Inquiry, The University of Edinburgh, UK
"A truly experimental text, in-forming and delighting, while making the reader work attentively through dizzying zig-zagging tra[ns]versals." -- Vivienne Bozalek, Emerita Professor Women's and Gender Studies, University of the Western Cape, South Africa; Honorary Professor Centre for Higher Education Research Teaching and Learning, Rhodes University, South Africa.
Sprache
Verlagsort
Verlagsgruppe
Zielgruppe
Für höhere Schule und Studium
Postgraduate and Undergraduate Advanced
Illustrationen
7 s/w Abbildungen, 7 s/w Zeichnungen
7 Line drawings, black and white; 7 Illustrations, black and white
Maße
Höhe: 234 mm
Breite: 156 mm
Gewicht
ISBN-13
978-1-032-65962-6 (9781032659626)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Andrew Mark Gillott is a Senior Lecturer in the Faculty of Health Sciences & Sport at The University of Stirling, Scotland, UK, and Visiting Fellow in the Carnegie School of Sport, Leeds Beckett University, England, UK. He is particularly interested in collaborative, transdisciplinary, and postfoundational modes of inquiry that offer ways of probing a sense of what is happening as it makes itself felt.
? 14. Slantwise: Departures (part one) ? 22. Sprouting Deviant: A Deviating Abstract[ion] ? 23. A Brief Note on Format/ion ? 11. Experi[e]ments (Feelings Force) ? 4. Infr[A]ctions (or What Things Do When They Shape Each Other) ? 19. Strange Intimacies ? 3. Three Folds ? 8. Surfaces (or the Comfort of a Lightning Strike) ? 18. Monstrum (or the Symmetry, and Harmony of all the Parts of the Body, of a Regular Proportion) ? 20. Zed, as in Zig-Zag: Departures (part two)
