With a focus on Sapmi - the transcultural and transnational homeland of the Sami people - this book presents case studies and theoretical frameworks which explore the ways in which memory institutions such as museums, archives, and festivals participate in and guide processes of appropriation, decolonization, and memory-making.
The destruction and concealment of Sami objects in both private and museum collections worldwide have impacted Sami knowledge systems, disrupting local ways of knowing. Appreciation and reappropriation are important acts of decolonization which seek to create openings for reconnection to traditions, languages, and practices that were forcibly suppressed in the past. Western memory institutions such as museums, archives, and galleries have had a great impact on how heritage has been collected, stored, conserved, and organized within closed walls and glass cases. As the new museology movement developed in the 1990s, numerous examples revealed how difficult it became for researchers and public alike to access heritage. Considering the proliferation of cultural interventions and the growth of Sami mobilization, which calls into question assumptions about how best to activate and experience Sami cultural heritage and what constitutes appropriate stewardship, this book sheds light on initiatives to return artefacts to the Sami community. With particular attention to the ways in which Sami self-determination and the shifting boundaries between Indigenous and settler identities are articulated, challenged, and renegotiated, it draws on approaches from critical museology and Indigenous methodologies to explore the initiation, experience, and operationalizing of restitution projects.
This book will therefore appeal to scholars of cultural studies, anthropology, sociology, and museum and heritage studies, as well as to those interested in questions of repatriation, restitution, and healing processes.
Rezensionen / Stimmen
"Memory Institutions and Sami Heritage addresses the timely topic of how museums, archives, galleries, festivals, etc. deal with their colonial legacy and with an urgent need to revise their role, position, and perceptions on cultural heritage. This volume is an invaluable contribution to the ongoing work of understanding the consequences and implications of the decolonial turn for memory institutions in Sapmi and in other Indigenous contexts."
Coppelie Cocq, Professor in Sami Studies and Digital Humanities and Assistant Director of Humlab, Umea University, Sweden
"This is a collection of well-researched case studies hitting the very core of heritage theory by its explorations of the intrinsic power relations and colonial aspects of museum work. Applying these perspectives to Sami culture has a double advantage. It gives insights into Sami cultural expressions as they have moved and been moved from everyday life into museums and other memory institutions, driven by different agendas and agents. Doing so, it also demonstrates the ontological implications of phenomena like restitution, decolonization, and repatriation (or rematriation, referring critically to the gendered concepts of nation and fatherland). At the same time, the book is an important contribution to memory and museum studies more generally, showing the conceptual complexities as well as the practical challenges that follow from shifting the focus from artifacts to agents or from heritage to heirs to autonomous Sami agency."
Anne Eriksen, Professor of Cultural History, IKOS, University of Oslo, Norway
"I recommend this book highly for its enlightening presentation of new and thought-provoking perspectives on past and contemporary presentations of Indigenous Sami culture in memory institutions and beyond. Understood as ongoing processes of change in a decolonizing perspective, the contexts of the analyzed examples range from museums to festivals, music, art, and tourism. Where earlier power imbalances caused appropriation and misrepresentations of their culture, today's presenters have to establish new communicative positions and new ways of cooperating with Indigenous groups. To readers involved in any presentations of Sami heritage the book would be inspirational, and would bring greater understanding to the general, interested audience."
Stein R. Mathisen, Professor Emeritus, Department of Tourism & Northern Studies, UiT The Arctic University of Norway, Norway
"One of the most striking features of this insightful collection of essays is the importance accorded to introducing, explaining and applying Sami terminology, concepts, and epistemologies as tools to understand historical and contemporary dynamics pertaining to Sami memory and cultural heritage. This approach not only imparts meaning and substance to the processes of Sami decolonization and (re)appropriation, but also discloses new, exciting theoretical, methodological, and practice-based perspectives on the work of museums and memory institutions in a postcolonial world - in Sami, Indigenous, and non-Indigenous contexts alike."
Marzia Varutti, Marie Sklodowska-Curie research fellow, Swiss Center for Affective Sciences, University of Geneva, Switzerland
Reihe
Sprache
Verlagsort
Verlagsgruppe
Zielgruppe
Für höhere Schule und Studium
Postgraduate
Illustrationen
1 s/w Zeichnung, 30 s/w Abbildungen, 29 s/w Photographien bzw. Rasterbilder
1 Line drawings, black and white; 29 Halftones, black and white; 30 Illustrations, black and white
Maße
Höhe: 240 mm
Breite: 161 mm
Dicke: 20 mm
Gewicht
ISBN-13
978-1-032-54717-6 (9781032547176)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Trude Fonneland is a professor of cultural studies at UiT The Arctic University Museum of Norway. Her research interests include Sami cultural heritage, museology, and contemporary shamanism. She is co-author of Sami Religion: Religious Identities, Practices, and Dynamics (2020) and Shamanic Materialities in Nordic Climates (2023).
Rossella Ragazzi is an associate professor of museum and media anthropology at UiT The Arctic University Museum of Norway. Her current research interests explore critial theories of heritage within Sami museums. She is the author of Walking on Uneven Paths: The Transcultural Experience of Children entering Europe in the Years 2000 (2009) and has co-edited two volumes of Nordic Museologi, focusing on Sami Museums heritage and museums.
Herausgeber*in
The Arctic University of Norway
The Arctic University of Norway
Introduction 1. Mahttsat ja Mujttalit: Arran's Negotiations in the Baastede Project 2. Old Sea Sami Artefacts and New Museum Practices 3. From DigiJoik to Luohtevuorka: Appropriation and Appreciation in the Process of Making New Homes for Luodit 4. Drum Time: Tracing the Multifaceted Significances and Stories of a Sami Drum 5. The Hagenbeck Sami Collection at Museum Europaeischer Kulturen in Berlin 6. The Nordnorsk Kunstmuseum: A Case Study in Decolonization 7. Imagining the "Otherwises" of Indigenous Sami Art: (De)coloniality in Sami Daiddamuseax and "The Sami Pavilion" 8. Upon Return, a NewArctic: A Collaborative Museum Experiment 9. Gallogieddi Caput Sapmi 10. The Sacred Mountain: The Heritage-Making of Salasoaivi/Tromsdalstinden Afterword: Memory Institutions and the Cultural Politics of Appreciation
