When Roy Fisher told Gael Turnbull in 1960 that he had 'started writing like mad' and produced 'a sententious prose book, about the length of a short novel, called the Citizen' he was registering a sea change in his work, finding a mode to express his almost visceral connection with Birmingham in a way that drew on his sensibility and a wealth of materials that could last a lifetime. Much later in his career he would say that 'Birmingham is what I think with.' This 'melange of evocation, maundering, imagining, fiction and autobiography,' as he called it, was written 'so as to be able to have a look at myself & see what I think.'
All that was known of this work before Fisher's death in 2017 is that fragments from it had been used as the prose sections in City and that - never otherwise published - it was thought not to have survived. This proved not to be the case, and in The Citizen and the Making of City, Peter Robinson, the poet's literary executor, has edited the breakthrough fragment and placed it in conjunction with the first 1961 published version of Fisher's signature collage of poetry and prose, along with a never published longer manuscript of it found among the poet's archive at the University of Sheffield, and some previously unpublished poems that were considered for inclusion during the complex evolution of the work that Robinson tracks in his introduction.
By offering in a single publication the definitive 1969 text, two variant versions of City, its prose origins in The Citizen and continuation in Then Hallucinations, as well as some of the poetry left behind, this landmark publication offers a unique insight into Roy Fisher's most emblematic work. It is supplemented with an anthology of Fisher's own comments on City and a secondary bibliography of criticism on his profound response to changes wrought upon England's industrial cities in the middle of the 20th century.
Rezensionen / Stimmen
City's subject matter is urban, the technique a blend of the surreal, expressionist, realist and cubist, the whole thing almost cinematic in its abrupt transitions and dislocations... Most of the lineaments of Fisher's mature work are present in City...a remarkable achievement for a writer in his twenties. He sets out to write about an actual city but to "dissolve" its particulars and make them strange, until it becomes as much an inner perceptual field as a post-industrial Midlands wasteland... 'There is no poet alive whose work has challenged or interested me more. -- August Kleinzahler Fisher stands outside, or alongside, whatever else is happening, an English late modernist whose experiments tend to come off. He is a poet of the city - his native Birmingham, which he describes as "what I think with". He is a redeemer of the ordinary, often a great artist of the visible... His range is large: he suits both extreme brevity and book-length exploration; his seeming improvisations have a way of turning into architecture. The best place to start is The Long and the Short of It. It might look and sound like nothing on earth at first, but then it becomes indispensable. -- Sean O'Brien * The Guardian * Roy Fisher's The Long and the Short of It: Poems 1955-2010 should be read by anyone with a serious interest in post-war English poetry. -- William Wootten * Times Literary Supplement * I was proud to be able to choose his Selected Poems, The Long and the Short of It... as my book on Desert Island Discs, and I know that I'll be returning to that book over and over again in the next few weeks and months, now that one of the most important inhabitants of the island has gone. -- Ian McMillan * paying tribute to Roy Fisher *
Sprache
Verlagsort
Tyne and Wear
Großbritannien
Produkt-Hinweis
Maße
Höhe: 234 mm
Breite: 156 mm
Dicke: 17 mm
Gewicht
ISBN-13
978-1-78037-596-0 (9781780375960)
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Schweitzer Klassifikation
Roy Fisher (1930-2017) published over 30 poetry books, and was the subject of numerous critical essays and several studies, including The Thing About Roy Fisher: Critical Essays on the Poetry of Roy Fisher, edited by Peter Robinson and John Kerrigan (Liverpool University Press, 2000), and of The Unofficial Roy Fisher, edited by Peter Robinson (Shearsman Books, 2010). He published four books with Bloodaxe. The Dow Low Drop: New & Selected Poems (1996) was superseded by his later retrospective, The Long and the Short of It: Poems 1955-2005 (2005), and followed by Standard Midland (2010), published on his 80th birthday, which was shortlisted for the Costa Poetry Award. An expanded edition, The Long and the Short of It: Poems 1955-2010 - including Standard Midland - was published in 2012. His first US Selected Poems, edited by August Kleinzahler, was published by Flood Editions in 2011. His final collection, Slakki: New & Neglected Poems (2016) is a Poetry Book Society Special Commendation. Peter Robinson's edition, The Citizen and the Making of 'City' (Bloodaxe Books, 2022) includes Fisher's early, previously unpublished prose work 'The Citizen', the precursor of 'City', with all three versions of that later sequence. Born in Handsworth, Birmingham, he retired as Senior Lecturer in American Studies from Keele University in 1982. He was also a jazz musician, and lived in the Derbyshire Peak District in his later years.
Introduction
Note on texts
The Citizen (1959)
From a Citizen notebook (1960)
Five city poems:
The Fog at Birmingham
Midlanders
Sea Monster in Hospital Shed
Where We Are
Lost, Now
City (1961)
'CITY by Roy Fisher'
City (1969)
Notes
Roy Fisher's published comments on City
Secondary bibliography
