Art directors and production designers are the cinema's 'architects of illusion'. Their overall purpose is to produce the overall pictorial vision for a film and their skills encompass set design, storyboarding, painting, decoration, construction, budgeting, colour and special effects. This book examines the crafts of art direction and production design. It traces their contribution from Thomas Edison's primitive studio, the Black Maria, to the growth of the Hollywood 'studio system', to the effect of sound and colour, and on to the computer-generated imagery of contemporary Hollywood. It does so with reference to many major productions, including Gone with the Wind, McCabe and Mrs Miller and Batman, demonstrating the real significance of the contribution of the art director and production designer to filmmaking and its history.
Reihe
Sprache
Verlagsort
Verlagsgruppe
Bloomsbury Publishing PLC
Zielgruppe
Für höhere Schule und Studium
Illustrationen
11 colour in 8pp plates, 36 bw integrated
Maße
Höhe: 228 mm
Breite: 152 mm
Gewicht
ISBN-13
978-1-78453-094-5 (9781784530945)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Lucy Fischer is a distinguished Professor of English and Film Studies at the University of Pittsburgh. Her books include Body Double: The Author Incarnate in the Cinema and Teaching Film.
Herausgeber*in
University of Pittsburgh, USA
Introduction Lucy Fischer
1. The Silent Screen, 1895-1927 Lucy Fischer
2. Classical Hollywood, 1928-1946 Mark Shiel
3. Postwar Hollywood, 1947-1967 Merrill Schleier
4. The Auteur Renaissance, 1968-1980 Charles Tashiro
5. The New Hollywood, 1981-1999 J. D. Connor
6. Hollywood's Digital Back Lot, 2000-Present Stephen Prince
Academy Awards for Best Art Direction
Notes
Selected Bibliography
Notes on Contributors
Index